A “towering, swash-buckling thrill of a book” (Newsweek), hailed as Chabon’s “magnum opus” (The New York Review of Books), The Amazing Adventures of Kavalier & Clay is a triumph of originality, imagination, and storytelling, an exuberant, irresistible novel that begins in New York City in 1939. A young escape artist and budding magician named Joe Kavalier arrives on the doorstep of his cousin, Sammy Clay. While the long shadow of Hitler falls across Europe, America is happily in thrall to the Golden Age of comic books, and in a distant corner of Brooklyn, Sammy is looking for a way to cash in on the craze. He finds the ideal partner in the aloof, artistically gifted Joe, and together they embark on an adventure that takes them deep into the heart of Manhattan, and the heart of old-fashioned American ambition. From the shared fears, dreams, and desires of two teenage boys, they spin comic book tales of the heroic, fascist-fighting Escapist and the beautiful, mysterious Luna Moth, otherworldly mistress of the night. Climbing from the streets of Brooklyn to the top of the Empire State Building, Joe and Sammy carve out lives, and careers, as vivid as cyan and magenta ink. Spanning continents and eras, this superb book by one of America’s finest writers remains one of the defining novels of our modern American age.
For sixty years Jewish refugees and their descendants have prospered in the Federal District of Sitka, a "temporary" safe haven created in the wake of the Holocaust and the shocking 1948 collapse of the fledgling state of Israel. The Jews of the Sitka District have created their own little world in the Alaskan panhandle, a vibrant and complex frontier city that moves to the music of Yiddish. But now the District is set to revert to Alaskan control, and their dream is coming to an end. Homicide detective Meyer Landsman of the District Police has enough problems without worrying about the upcoming Reversion. His life is a shambles, his marriage a wreck, his career a disaster. And in the cheap hotel where Landsman has washed up, someone has just committed a murder--right under his nose. When he begins to investigate the killing of his neighbor, a former chess prodigy, word comes down from on high that the case is to be dropped immediately, and Landsman finds himself contending with all the powerful forces of faith, obsession, evil, and salvation that are his heritage. At once a gripping whodunit, a love story, and an exploration of the mysteries of exile and redemption, The Yiddish Policemen's Union is a novel only Michael Chabon could have written.
Julian Treslove, a professionally unspectacular former BBC radio producer, and Sam Finkler, a popular Jewish philosopher, writer, and television personality, are old school friends. Despite a prickly relationship and very different lives, they've never lost touch with each other, or with their former teacher, Libor Sevcik. Dining together one night at Sevcik's apartment—the two Jewish widowers and the unmarried Gentile, Treslove—the men share a sweetly painful evening, reminiscing on a time before they had loved and lost, before they had prized anything greatly enough to fear the loss of it. But as Treslove makes his way home, he is attacked and mugged outside a violin dealer's window. Treslove is convinced the crime was a misdirected act of anti-Semitism, and in its aftermath, his whole sense of self will ineluctably change. The Finkler Question is a funny, furious, unflinching novel of friendship and loss, exclusion and belonging, and the wisdom and humanity of maturity.
A fictionalized account of the turbulent history of the Sarajevo Haggadah, an illuminated manuscript which has survived into the twentieth century thanks to people of various faiths who risked their lives to safeguard it. Hanna Heath, a manuscript conservator hired to restore the manuscript in 1996 Sarajevo, finds and pursues clues to crucial moments in the book's history.
The basis for the Oscar-winning Spielberg movie, this novel recreates the story of Oskar Schindler, an Aryan who risked his life to protect Jews in Nazi-occupied Poland.
When Death has a story to tell, you listen. It is 1939. Nazi Germany. The country is holding its breath. Death has never been busier, and will become busier still. Liesel Meminger is a foster girl living outside of Munich, who scratches out a meager existence for herself by stealing when she encounters something she can't resist-books. With the help of her accordion-playing foster father, she learns to read and shares her stolen books with her neighbors during bombing raids as well as with the Jewish man hidden in her basement.
n 1989, fresh from the publication of his first novel, The Mysteries of Pittsburgh, Michael Chabon traveled to his mother’s home in Oakland, California, to visit his terminally ill grandfather. Tongue loosened by powerful painkillers, memory stirred by the imminence of death, Chabon’s grandfather shared recollections and told stories the younger man had never heard before, uncovering bits and pieces of a history long buried and forgotten. That dreamlike week of revelations forms the basis for the novel Moonglow, the latest feat of legerdemain from Pulitzer Prize-winning author Michael Chabon. Moonglow unfolds as the deathbed confession of a man the narrator refers to only as “my grandfather.” It is a tale of madness, of war and adventure, of sex and marriage and desire, of existential doubt and model rocketry, of the shining aspirations and demonic underpinnings of American technological accomplishment at midcentury, and, above all, of the destructive impact—and the creative power—of keeping secrets and telling lies. It is a portrait of the difficult but passionate love between the narrator’s grandfather and his grandmother, an enigmatic woman broken by her experience growing up in war-torn France. It is also a tour de force of speculative autobiography in which Chabon devises and reveals a secret history of his own imagination.From the Jewish slums of prewar South Philadelphia to the invasion of Germany, from a Florida retirement village to the penal utopia of New York’s Wallkill prison, from the heyday of the space program to the twilight of the “American Century,” the novel revisits an entire era through a single life and collapses a lifetime into a single week. A lie that tells the truth, a work of fictional nonfiction, an autobiography wrapped in a novel disguised as a memoir, Moonglow is Chabon at his most moving and inventive.
Now a major motion picture! From beloved international sensation and #1 New York Times bestselling author Tatiana de Rosnay come's her celebrated novel Sarah's Key. Paris, July 1942: Sarah, a ten year-old girl, is brutally arrested with her family by the French police in the Vel' d'Hiv' roundup, but not before she locks her younger brother in a cupboard in the family's apartment, thinking that she will be back within a few hours. Paris, May 2002: On Vel' d'Hiv's 60th anniversary, journalist Julia Jarmond is asked to write an article about this black day in France's past. Through her contemporary investigation, she stumbles onto a trail of long-hidden family secrets that connect her to Sarah. Julia finds herself compelled to retrace the girl's ordeal, from that terrible term in the Vel d'Hiv', to the camps, and beyond. As she probes into Sarah's past, she begins to question her own place in France, and to reevaluate her marriage and her life. Tatiana de Rosnay offers us a brilliantly subtle, compelling portrait of France under occupation and reveals the taboos and silence that surround this painful episode.
Reuven Malter lives in Brooklyn, he's in love, and he's studying to be a rabbi. He also keeps challenging the strict interpretations of his teachers, and if he keeps it up, his dream of becoming a rabbi may die. One day, worried about a disturbed, unhappy boy named Michael, Reuven takes him sailing and cloud-watching. Reuven also introduces him to an old friend, Danny Saunders--now a psychologist with a growing reputation. Reconnected by their shared concern for Michael, Reuven and Danny each learns what it is to take on life--whether sacred truths or a troubled child--according to his own lights, not just established authority.
Beginning in Paris on the eve of the Nazi occupation in 1940, as Parisians flee the city, human folly surfaces in every imaginable way: a wealthy mother searches for sweets in a town without food; a couple is terrified at the thought of losing their jobs, even as their world begins to fall apart. Moving on to a provincial village now occupied by German soldiers, the locals must learn to coexist with the enemy—in their town, their homes, even in their hearts.
The long-awaited first novel from the author of the sensational short-story collection For the Relief of Unbearable Urges is a stunning historical tale set at the start of Argentina's Dirty War, a hallucinatory journey into a forbidden city and a world of terror.
In the summer of '76, the Shulmans and the Melishes migrate to Kaaterskill, the tiny town in upstate New York where Orthodox Jews and Yankee year-rounders live side by side from June through August. Elizabeth Shulman, a devout follower of Rav Elijah Kirshner and the mother of five daughters, is restless. She needs a project of her own, outside her family and her cloistered community. Across the street, Andras Melish is drawn to Kaaterskill by his adoring older sisters, bound to him by their loss and wrenching escape from the Holocaust. Both comforted and crippled by his sisters' love, Andras cannot overcome the ambivalence he feels toward his children and his own beautiful wife. At the top of the hill, Rav Kirshner is coming to the end of his life, and he struggles to decide which of his sons should succeed him: the pious but stolid Isaiah, or the brilliant but worldly Jeremy. Behind the scenes, alarmed as his beloved Kaaterskill is overdeveloped by Michael King, the local real estate broker, Judge Miles Taylor keeps an old secret in check, biding his time....
In the aftermath of the Iranian revolution, rare-gem dealer Isaac Amin is arrested, wrongly accused of being a spy. Terrified by his disappearance, his family must reconcile a new world of cruelty and chaos with the collapse of everything they have known. As Isaac navigates the tedium and terrors of prison, forging tenuous trusts, his wife feverishly searches for him, suspecting, all the while, that their once-trusted housekeeper has turned on them and is now acting as an informer. And as his daughter, in a childlike attempt to stop the wave of baseless arrests, engages in illicit activities, his son, sent to New York before the rise of the Ayatollahs, struggles to find happiness even as he realizes that his family may soon be forced to embark on a journey of incalculable danger. A page-turning literary debut, The Septembers of Shiraz simmers with questions of identity, alienation, and love, not simply for a spouse or a child, but for all the intangible sights and smells of the place we call home.
Few poets have demonstrated as persuasively as Yehuda Amichai why poetry matters. One of the major poets of the twentieth century, Amichai created remarkably accessible poems, vivid in their evocation of the Israeli landscape and historical predicament, yet universally resonant. His are some of the most moving love poems written in any language in the past two generations―some exuberant, some powerfully erotic, many suffused with sadness over separation that casts its shadow on love. In a country torn by armed conflict, these poems poignantly assert the preciousness of private experience, cherished under the repeated threats of violence and death. Amichai’s poetry has attracted a variety of gifted English translators on both sides of the Atlantic from the 1960s to the present. Assembled by the award-winning Hebrew scholar and translator Robert Alter, The Poetry of Yehuda Amichai is by far the largest selection of the master poet’s work to appear in English, gathering the best of the existing translations as well as offering English versions of many previously untranslated poems. With this collection, Amichai’s vital poetic voice is now available to English readers as it never has been before.
In Englander's amazingly taut and ambitious "The Twenty-seventh Man," a clerical error lands earnest, unpublished Pinchas Pelovits in prison with twenty-six writers slated for execution at Stalin's command, and in the grip of torture Pinchas composes a mini-masterpiece, which he recites in one glorious moment before author and audience are simultaneously annihilated. In "The Gilgul of Park Avenue," a Protestant has a religious awakening in the back of a New York taxi. In the collection's hilarious title story, a Hasidic man incensed by his wife's interminable menstrual cycle gets a dispensation from his rabbi to see a prostitute. The stories in For the Relief of Unbearable Urges are powerfully inventive and often haunting, steeped in the weight of Jewish history and in the customs of Orthodox life. But it is in the largeness of their spirit-- a spirit that finds in doubt a doorway to faith, that sees in despair a chance for the heart to deepen--and in the wisdom that so prodigiously transcends the author's twenty-eight years, that these stories are truly remarkable. Nathan Englander envisions a group of Polish Jews herded toward a train bound for Auschwitz and in a deft imaginative twist turns them into acrobats tumbling out of harm's way; he takes an elderly wigmaker and makes her, for a single moment, beautiful. Again and again, Englander does what feels impossible: he finds, wherever he looks, a province beyond death's dominion.
Nearly 200 tales in this collection of Jewish folklore reveal the rich culture and tradition of Eastern European Jewry.
One of the greatest and the grandest advocates of the literary vocation, Joseph Brodsky truly lived his life as a poet, and for it earned eighteen months of internal exile at hard labor, expulsion from his native country, and the Nobel Prize in Literature. Here, collected for the first time, are all the poems he published in English, from his earliest collaborations with Derek Walcott, Richard Wilbur, Howard Moss, and Anthony Hecht to the moving farewell poems he wrote near the end of his life. With nearly two hundred poems, several of them never before published in book form, this will be the essential volume of Brodsky's work.
From Emma Lazarus to Allen Ginsberg, Jewish American poets have long been a presence in American poetry. Once a group of isolated voices, their number and range has grown in the last 50 years to reveal a distinct American poetic tradition. The first complete guide to the diversity and vitality of this tradition, Jewish American Poetry features poems by 26 leading poets (some written especially for this volume) followed by the poets' own reflections on the Jewish and American aspects of their work. The second half of the book gathers ten wide-ranging essays on the history and scope of Jewish American poetry, offering an unprecedented introduction to its Yiddish and Sephardic heritage, its distinctive poetics of commentary, its Kabbalists, its feminists, and more. With a general introduction that places this literature in the contexts of both Jewish culture and American poetry, Jewish American Poetry opens the door to a much-needed discussion of the significance of the Jewish voice in American literature.
In American Talmud, Ezra Cappell redefines the genre of Jewish American fiction and places it squarely within the larger context of American literature. Cappell departs from the conventional approach of defining Jewish American authors solely in terms of their ethnic origins and sociological constructs, and instead contextualizes their fiction within the theological heritage of Jewish culture. By deliberately emphasizing historical and ethnographic links to religions, religious texts, and traditions, Cappell demonstrates that twentieth-century and contemporary Jewish American fiction writers have been codifying a new Talmud, an American Talmud, and argues that the literary production of Jews in America might be seen as one more stage of rabbinic commentary on the scriptural inheritance of the Jewish people.
Meïr Aaron Goldschmidt and the Poetics of Jewish Fiction presents a bold new reading of one of Denmark's greatest writers of the nineteenth century, situating him, first and foremost, as a Jewish artist. Offering an alternative to the nationalistic discourse so prevalent in the scholarship, Gurley examines Goldschmidt's relationship to the Hebrew Bible and later rabbinical traditions, such as the Talmud and the Midrash. At the same time, he shows that Goldschmidt's midrashic style in a secular context predates certain narrative movements within Modern-ism that are usually associated with the twentieth century and especially Czech writer Franz Kafka. Goldschmidt was remarkable in his era, both as a writer who explored his peripheral identity in the mainstream of European culture and as a writer of the first truly Jewish bildungsroman. In this groundbreaking study of Goldschmidt's narrative art, Gurley refashions his position in both the Danish and Jewish literary canons and introduces his extraordinary work to a wider, non-Scandinavian audience.
From the Pulitzer-nominated, bestselling author of For the Relief of Unbearable Urges, eight powerful stories, dazzling in their display of language and imagination. From the title story, a provocative portrait of two marriages inspired by Raymond Carver’s masterpiece, to “Peep Show” and “How We Avenged the Blums,” two stories that return to the author’s classic themes of sexual longing and ingenuity in the face of adversity, these stories affirm Nathan Englander’s place at the very forefront of contemporary American fiction.
Francine Prose argues that the diary of Anne Frank is as much a deliberate work of art as it is an historical record, noting its literary merits and thoroughly investigating the diary's unique afterlife as one of the world's most read, and banned, books.
Walt Whitman has served as a crucial figure within the tradition of Jewish American poetry. But how did Whitman, a non-Jewish, American-born poet, become so instrumental in this area of poetry, especially for poets whose parents, and often they themselves, were not "born here?" Dara Barnat presents a genealogy of Jewish American poets in dialogue with Whitman, and with each other, and reveals how the lineage of Jewish American poets responding to Whitman extends far beyond the likes of Allen Ginsberg. From Emma Lazarus and Adah Isaacs Menken, through twentieth-century poets such as Charles Reznikoff, Karl Shapiro, Kenneth Koch, Muriel Rukeyser, Adrienne Rich, Marge Piercy, Alicia Suskin Ostriker, and Gerald Stern, this book demonstrates that Whitman has been adopted by Jewish American poets as a liberal symbol against exclusionary and anti-Semitic elements in high modernist literary culture. The turn to Whitman serves as a mode of exploring Jewish and American identity.
When Crusader armies on their way to the Holy Land attacked Jewish communities in the Rhine Valley, many Jews chose suicide over death at the hands of Christian mobs. With their defiant deaths, the medieval Jewish martyr was born. With the literary commemoration of the victims, Jewish martyrology followed. "Beautiful Death" examines the evolution of a long-neglected corpus of Hebrew poetry, the laments reflecting the specific conditions of Jewish life in northern France. The poems offer insight into everyday life and into the ways medieval French Jews responded to persecution. They also suggest that poetry was used to encourage resistance to intensifying pressures to convert. The educated Jewish elite in northern France was highly acculturated. Their poetry--particularly that emerging from the innovative Tosafist schools--reflects their engagement with the vernacular renaissance unfolding around them, as well as conscious and unconscious absorption of Christian popular beliefs and hagiographical conventions. At the same time, their extraordinary poems signal an increasingly harsh repudiation of Christianity's sacred symbols and beliefs. They reveal a complex relationship to Christian culture as Jews internalized elements of medieval culture even while expressing a powerful revulsion against the forms and beliefs of Christian life. This gracefully written study crosses traditional boundaries of history and literature and of Jewish and general medieval scholarship. Focusing on specific incidents of persecution and the literary commemorations they produced, it offers unique insights into the historical conditions in which these poems were written and performed.
This book offers a groundbreaking perspective on Judeo-Christian coexistence in medieval Spain, in particular on the Camino de Santiago (Way of St. James), one of the most important pilgrimage routes in Europe. The author uncovers new evidence of Judeo-Christian cooperation in Castilian monasteries on the Camino. It reveals that a collaborative climate endured in these monasteries as demonstrated by the transmission of cuaderna vía poetry from Christians to Jews. The research focuses on poems written by Jews in Castilian (Spanish) during the thirteenth and fourteenth centuries that illustrate a progressive mastery of cuaderna vía poetry, which is the product of interaction in monastic schools between Jews and Christian clerics who created and cultivated this Castilian poetic form.
This anthology presents an ambitious cross-section of Jewish American short fiction. It covers a full century of extraordinary writings, from turn-of-the-century immigrant fiction to stories by some of the finest young contemporary American writers. To read through its pages is to encounter a remarkable—and remarkably diverse—literary tradition. The volume opens with stories by two important immigrant writers from the early twentieth century, Abraham Cahan and Anzia Yezierska. There follows a generous selection of modern Jewish American stories by such celebrated authors as Isaac Bashevis Singer, Saul Bellow, Grace Paley, Tillie Olsen, Bernard Malamud, and Philip Roth. The collection concludes with a rich sampling of stories by contemporary writers whose works illustrate the impressive variety and vitality of recent Jewish American fiction. Equally suited to scholars, students, and general readers, American Jewish Fiction provides an invaluable survey of literary works that have enriched and transformed American—and world—literature.
In this collection of essays, stories, and poems, award-winning poet and fiction writer Myra Sklarew traces a journey across the latter half of the twentieth century and into the twenty-first. Her point of view is Jewish, though her subjects include science, exile, the future, the Holocaust, the remaining Jewish community of Morocco, Yiddish poetry, the visual arts, and teaching. Many of these pieces deal with personal subjects the search for a grandfather s birthplace, the death of a mother, the profound effect of a teacher, the struggle of a woman to embrace Judaism. Whether writing about medicine, Messiah, or the first speech of an infant, Sklarew s work finds its roots in Judaism, a Judaism fashioned in large part by the author s own hands. Ultimately, the book is about access, about following one s own curiosity despite the obstacles that might appear along the way. And it is about a kind of belief: that nothing will be wasted, that all that we can learn will have a place in our lives eventually, though we may not know its purpose at the time.
In ""Jonah and Sarah"", love, talent and magic oppose - and sometimes vanquish - anti-Semitism, totalitarianism and vulgarity. From the deceptively simple narratives ""Apple Cider Vinegar"" and ""A Hurricane Named Bob"" to the surrealist tale ""Dismemberers"" and the magical ""Jonah and Sarah"" and ""The Lanskoy Road"", the tempo fluctuates, but throughout, David Shrayer-Petrov seamlessly preserves familiar voices. The stories have a genuine feel for setting and epoch - Soviet stories work as narratives of everyday life, while the American stories offer an accurate sense of an ?migr?'s alienation. Like all good works of fiction, these stories take on a mythic quality and transcend time and place. Each carries and communicates to the reader an aura of mystery, the enigma of love, and a meeting of Jewish past and present. Whether he invokes lyrical dialogue, gentle irony, or sharp polemical discourse, Shrayer-Petrov shows that he is a powerful presence in Russian and Jewish literature. For those interested in fiction about new immigrants to America or in the psychology of Jews in the two decades before the Soviet Union's collapse, this collection is a useful read.
ewish identity and magical realism are the themes of the tales of adventure and cultural alienation collected here by the leading authority on Jewish Latin American literature. First published in 1994 as Tropical Synagogues: Short Stories by Jewish-Latin American Writers, Ilan Stavans's classic anthology is expanded and updated in this new edition.
This heartwarming winter story is perfect for those who love to knit and parents looking to teach their children about the importance of doing good for others! Mrs. Goldman always knits hats for everyone in the neighborhood, and Sophia, who thinks knitting is too hard, helps by making the pom-poms. But now winter is here, and Mrs. Goldman herself doesn't have a hat--she's too busy making hats for everyone else! It's up to Sophia to buckle down and knit a hat for Mrs. Goldman. But try as Sophia might, the hat turns out lumpy, the stitches aren't even, and there are holes where there shouldn't be holes. Sophia is devastated until she gets an idea that will make Mrs. Goldman's hat the most wonderful of all. Readers both young and old will relate to Sophia's frustrations, as well as her delight in making something special for someone she loves.
A knitting pattern is included in the back of the book.
In 1943, during the German occupation of Denmark, ten-year-old Annemarie learns how to be brave and courageous when she helps shelter her Jewish friend from the Nazis.
Joseph had a little overcoat, but it was full of holes--just like this book! When Joseph's coat got too old and shabby, he made it into a jacket. But what did he make it into after that? And after that?As children turn the pages of this book, they can use the die-cut holes to guess what Joseph will be making next from his amazing overcoat, while they laugh at the bold, cheerful artwork and learn that you can always make something, even out of nothing.
Berlin 1942. When Bruno returns home from school one day, he discovers that his belongings are being packed in crates. His father has received a promotion and the family must move from their home to a new house far far away, where there is no one to play with and nothing to do. A tall fence running alongside stretches as far as the eye can see and cuts him off from the strange people he can see in the distance. But Bruno longs to be an explorer and decides that there must be more to this desolate new place than meets the eye. While exploring his new environment, he meets another boy whose life and circumstances are very different from his own, and their meeting results in a friendship that has devastating consequences.
In letters to her cousin, a young Jewish girl chronicles her family's flight from Russia in 1919 and her own experiences when she must be left in Belgium for a while when the others emigrate to America.
In 1912 New York, Gertie feels left out while Mama and her four older sisters cook Hanukkah dinner, but Papa comes home and asks for her help with an important task.
When her university professor father is sent by the Gestapo to a concentration camp, seven-year-old Anna travels the Polish countryside with the mysterious Swallow Man during World War II.
Retold from traditional sources and accompanied by David Wisniewski's unique cut-paper illustrations, Golem is a dramatic tale of supernatural forces invoked to save an oppressed people. It also offers a thought-provoking look at the consequences of unleashing power beyond human control. The afterword discusses the legend of the golem and its roots in the history of the Jews. A Caldecott Medal Book.
A single china cup from a tea set left behind when Jews were forced to leave Russia helps hold a family together through generations of living in America, reminding them of the most important things in life.
Anne Frank and her Jewish family hid in a secret apartment in Amsterdam from 1942 through 1944, before they were discovered by the Nazis and Anne died in a German concentration camp. Her diary has inspired millions of people. A list of important dates and an author's note are included.
Presenting the American Jewish historical experience from its communal beginnings to the present through documents, photographs, and other illustrations, many of which have never before been published, this entirely new collection of source materials complements existing textbooks on American Jewish history with an organization and pedagogy that reflect the latest historiographical trends and the most creative teaching approaches. Ten chapters, organized chronologically, include source materials that highlight the major thematic questions of each era and tell many stories about what it was like to immigrate and acculturate to American life, practice different forms of Judaism, engage with the larger political, economic, and social cultures that surrounded American Jews, and offer assistance to Jews in need around the world. At the beginning of each chapter, the editors provide a brief historical overview highlighting some of the most important developments in both American and American Jewish history during that particular era. Source materials in the collection are preceded by short headnotes that orient readers to the documents' historical context and significance.
This volume explores the local specificities and global forces that shaped Jewish experiences in the Americas across five centuries, illuminating the culturally, religiously, and politically diverse lives of Jewish minorities in the Western Hemisphere.
A basic reference work on Judaism discusses the Bible, the Talmud, and other writings; Jewish history; beliefs and rituals; and the Jewish calendar, holidays, and life-cycle ceremonies.
The Jewish community of Washington, D.C., located in the political nexus of the United States, has often enjoyed attention from people of every level of influence, including the president of the United States. On May 3, 1925, Calvin Coolidge attended the cornerstone laying ceremony of the Washington Jewish Community Center. Herbert Hoover, as a former president, was vocal in his denunciation of Nazi Germany's treatment of the Jews. His voice garnered the support of many United States senators in 1943, including two from Maryland and one from Virginia. Ronald Reagan sent his personal regards to the Ohev Shalom Talmud Torah Congregation on their 100th anniversary celebration on April 10, 1986.
With National Socialism's arrival in Germany in 1933, Jews dominated music more than virtually any other sector, making it the most important cultural front in the Nazi fight for German identity. This groundbreaking book looks at the Jewish composers and musicians banned by the Third Reich and the consequences for music throughout the rest of the twentieth century. Because Jewish musicians and composers were, by 1933, the principal conveyors of Germany's historic traditions and the ideals of German culture, the isolation, exile and persecution of Jewish musicians by the Nazis became an act of musical self-mutilation. Michael Haas looks at the actual contribution of Jewish composers in Germany and Austria before 1933, at their increasingly precarious position in Nazi Europe, their forced emigration before and during the war, their ambivalent relationships with their countries of refuge, such as Britain and the United States and their contributions within the radically changed post-war music environment.
Many of us know that thesuperheroes at the heart of the American comic book industry were created by Jews. But you’d be surprised to learn how much these beloved characters were shaped by the cultural and religious traditions of their makers. Superman Is Jewish? follows the “people of the book” as they become the people of the comic book. With great wit and compelling arguments, Harry Brod situates superheroes within the course of Jewish-American history: they are aliens in a foreign land, like Superman; figures plagued by guilt for abandoning their families, like Spider-Man; and outsiders persecuted for being different, like the X-Men. Brod blends humor and sharp observation as he considers the overt and discreet Jewish characteristics of these well-known figures and explores how their creators integrated their Jewish identities and their creativity.
From the 1880s through the 1940s, tens of thousands of first- and second-generation immigrants embraced the anarchist cause after arriving on American shores. Kenyon Zimmer explores why these migrants turned to anarchism, and how their adoption of its ideology shaped their identities, experiences, and actions. Zimmer focuses on Italians and Eastern European Jews in San Francisco, New York City, and Paterson, New Jersey. Tracing the movement's changing fortunes from the pre-World War I era through the Spanish Civil War, Zimmer argues that anarchists, opposed to both American and Old World nationalism, severed all attachments to their nations of origin but also resisted assimilation into their host society. Their radical cosmopolitan outlook and identity instead embraced diversity and extended solidarity across national, ethnic, and racial divides. Though ultimately unable to withstand the onslaught of Americanism and other nationalisms, the anarchist movement nonetheless provided a shining example of a transnational collective identity delinked from the nation-state and racial hierarchies.
Maps provide information on the history, migrations, achievements, and current state of the Jews.
From an acclaimed historian and social critic, a passionate and poignant history of German Jews from the mid-eighteenth century to the eve of the Third Reich. As it's usually told, the story of the German Jews starts at the end, with their tragic demise in Hitler's Third Reich. Now, in this important work of historical restoration, Amos Elon takes us back to the beginning, chronicling a period of achievement and integration that at its peak produced a golden age second only to the Renaissance. Writing with a novelist's eye, Elon shows how a persecuted clan of cattle dealers and wandering peddlers was transformed into a stunningly successful community of writers, philosophers, scientists, tycoons, and activists. He peoples his account with dramatic figures: Moses Mendelssohn, who entered Berlin in 1743 through the gate reserved for Jews and cattle, and went on to become "the German Socrates"; Heinrich Heine, beloved lyric poet who famously referred to baptism as the admission ticket to European culture; Hannah Arendt, whose flight from Berlin signaled the end of the German-Jewish idyll. Elon traces how this minority-never more than one percent of the population-came to be perceived as a deadly threat to national integrity, and he movingly demonstrates that this devastating outcome was uncertain almost until the end. A collective biography, full of depth and compassion, The Pity of It All summons up a splendid world and a dream of integration and tolerance that, despite all, remains the essential ennobling project of modernity.
In this magnificently illustrated cultural history--the tie-in to the PBS and BBC series The Story of the Jews--Simon Schama details the story of the Jewish experience, tracing it across three millennia, from their beginnings as an ancient tribal people to the opening of the New World in 1492 to the modern day. It is a story like no other: an epic of endurance against destruction, of creativity in oppression, joy amidst grief, the affirmation of life against the steepest of odds. It spans the millennia and the continents--from India to Andalusia and from the bazaars of Cairo to the streets of Oxford. It takes you to unimagined places: to a Jewish kingdom in the mountains of southern Arabia; a Syrian synagogue glowing with radiant wall paintings; the palm groves of the Jewish dead in the Roman catacombs. And its voices ring loud and clear, from the severities and ecstasies of the Bible writers to the love poems of wine bibbers in a garden in Muslim Spain. In The Story of the Jews, the Talmud burns in the streets of Paris, massed gibbets hang over the streets of medieval London, a Majorcan illuminator redraws the world; candles are lit, chants are sung, mules are packed, ships loaded with spice and gems founder at sea. And a great story unfolds. Not--as often imagined--of a culture apart, but of a Jewish world immersed in and imprinted by the peoples among whom they have dwelled, from the Egyptians to the Greeks, from the Arabs to the Christians. Which makes the story of the Jews everyone's story, too.
In The Last Kings of Shanghai, Jonathan Kaufman tells the remarkable history of how these families participated in an economic boom that opened China to the world, but remained blind to the country's deep inequality and to the political turmoil at their doorsteps. In a story stretching from Baghdad to Hong Kong to Shanghai to London, Kaufman enters the lives and minds of these ambitious men and women to forge a tale of opium smuggling, family rivalry, political intrigue, and survival. The book lays bare the moral compromises of the Kadoories and the Sassoons--and their exceptional foresight, success, and generosity. At the height of World War II, they joined together to rescue and protect eighteen thousand Jewish refugees fleeing Nazism. Though their stay in China started out as a business opportunity, the country became a home they were reluctant to leave, even on the eve of revolution. The lavish buildings they built and the booming businesses they nurtured continue to define Shanghai and Hong Kong to this day. As the United States confronts China's rise, and China grapples with the pressures of breakneck modernization and global power, the long-hidden odysseys of the Sassoons and the Kadoories hold a key to understanding the present moment.
Paul Kriwaczek begins this illuminating and immensely pleasurable chronicle of Yiddish civilization during the Roman empire, when Jewish culture first spread to Europe. We see the burgeoning exile population disperse, as its notable diplomats, artists and thinkers make their mark in far-flung cities and found a self-governing Yiddish world. By its late-medieval heyday, this economically successful, intellectually adventurous, and self-aware society stretched from the Baltic to the Black Sea. Kriwaczek traces, too, the slow decline of Yiddish culture in Europe and Russia, and highlights fresh offshoots in the New World.Combining family anecdote, travelogue, original research, and a keen understanding of Yiddish art and literature, Kriwaczek gives us an exceptional portrait of a culture which, though nearly extinguished, has an influential radiance still.
This is the third edition of Shaye J. D. Cohen's important and seminal work on the history and development of Judaism between 164 BCE to 300 CE. Cohen's synthesis of religion, literature, and history offers deep insight into the nature of Judaism at this key period, including the relationship between Jews and Gentiles, the function of Jewish religion in the larger community, and the development of normative Judaism and other Jewish sects. Cohen offers students more than just history, but an understanding of the social and cultural context of Judaism as it developed into the formative period of rabbinic Judaism. This new edition includes a brand-new chapter on the parting of ways between Jews and Christians in the second century CE. From the Maccabees to the Mishnah remains the clearest introduction to the era that shaped Judaism and provided the context for early Christianity.
The history of the Jews of Spain is a remarkable story that begins in the remote past and continues today. For more than a thousand years, Sepharad (the Hebrew word for Spain) was home to a large Jewish community noted for its richness and virtuosity. Summarily expelled in 1492 and forced into exile, their tragedy of expulsion marked the end of one critical phase of their history and the beginning of another. Indeed, in defiance of all logic and expectation, the expulsion of the Jews from Spain became an occasion for renewed creativity. Nor have five hundred years of wandering extinguished the identity of the Sephardic Jews, or diminished the proud memory of the dazzling civilization, which they created on Spanish soil. This book is intended to serve as an introduction and scholarly guide to that history.
This masterwork of interpretative history begins with a bold declaration: "The Modern Age is the Jewish Age, and the twentieth century, in particular, is the Jewish Century." The assertion is, of course, metaphorical. But it drives home Yuri Slezkine's provocative thesis: Jews have adapted to the modern world so well that they have become models of what it means to be modern. While focusing on the drama of the Russian Jews, including émigrés and their offspring, The Jewish Century is also an incredibly original account of the many faces of modernity--nationalism, socialism, capitalism, and liberalism. Rich in its insight, sweeping in its chronology, and fearless in its analysis, this is a landmark contribution to Jewish, Russian, European, and American history.
Kaplan tells the story of Jews in Germany not from the hindsight of the Holocaust, nor by focusing on the persecutors, but from the bewildered and ambiguous perspective of Jews trying to navigate their daily lives in a world that was becoming more and more insane. Answering the charge that Jews should have left earlier, Kaplan shows that far from seeming inevitable, the Holocaust was impossible to foresee precisely because Nazi repression occurred in irregular and unpredictable steps until the massive violence of November 1938. Focusing on the fate of families and particularly women's experience, Between Dignity and Despair takes us into the neighborhoods, into the kitchens, shops, and schools, to give us the shape and texture, the very feel of what it was like to be a Jew in Nazi Germany.
Groundbreaking essays on Sephardic Jewish families in the Ottoman Empire and Western Sephardic communities
Becoming Ottomans is the first book to tell the story of Jewish political integration into a modern Islamic empire. It begins with the process set in motion by the imperial state reforms known as the Tanzimat, which spanned the years 1839-1876 and legally emancipated the non-Muslims of the empire. Four decades later the situation was difficult to recognize. By the close of the nineteenth century, Ottoman Muslims and Jews alike regularly referred to Jews as a model community, or millet-as a group whose leaders and members knew how to serve their state and were deeply engaged in Ottoman politics. The struggles of different Jewish individuals and groups to define the public face of their communities is underscored in their responses to a series of important historical events. Charting the dramatic reversal of Jews in the empire over a half-century, Becoming Ottomans offers new perspectives for understanding Jewish encounters with modernity and citizenship in a centralizing, modernizing Islamic state in an imperial, multi-faith landscape.
The Sephardim suffered devastation during the Holocaust, but this facet of history is poorly documented. What literature exists on the Sephardim in the Holocaust focuses on specific countries, such as Yugoslavia and Greece, or on specific cities, such as Salonika, and many of these works are not available in English. The Sephardim in the Holocaust: A Forgotten People embraces the Sephardim of all the countries shattered by the Holocaust and pays tribute to the memory of the more than 160,000 Sephardim who perished. Isaac Jack Lévy and Rosemary Lévy Zumwalt draw on a wealth of archival sources, family history (Isaac and his family were expelled from Rhodes in 1938), and more than 150 interviews conducted with survivors during research trips to Belgium, Canada, France, Greece, Israel, Mexico, the Netherlands, the former Yugoslavia, and the United States. Lévy follows the Sephardim from Athens, Corfu, Cos, Macedonia, Rhodes, Salonika, and the former Yugoslavia to Auschwitz.
In The Feminine Mystique, Jewish-raised Betty Friedan struck out against a postwar American culture that pressured women to play the role of subservient housewives. However, Friedan never acknowledged that many American women refused to retreat from public life during these years. Now, A Jewish Feminine Mystique? examines how Jewish women sought opportunities and created images that defied the stereotypes and prescriptive ideology of the "feminine mystique." As workers with or without pay, social justice activists, community builders, entertainers, and businesswomen, most Jewish women championed responsibilities outside their homes. Jewishness played a role in shaping their choices, shattering Friedan's assumptions about how middle-class women lived in the postwar years. Focusing on ordinary Jewish women as well as prominent figures such as Judy Holliday, Jennie Grossinger, and Herman Wouk's fictional Marjorie Morningstar, leading scholars explore the wide canvas upon which American Jewish women made their mark after the Second World War.
In a century full of social dreams and abhorrent calamities, the survival of a small cultural ethnic group is no small story. Ashkenazi and Sephardic Jews arrived in Mexico in the early years of this century. The vast majority of these 40,000 Jews live in Mexico City and have done so for most of the eighty years of this communal experiment. Arriving with few resources, the Ashkenazi created a network of organizations to sustain their cultural survival in a country that had its own complex cultural context. This community chose its own survival path; while successful in confronting some issues, it faced problems of identity and social cohesion that mirror contemporary dilemmas everywhere. The author examines the particular exchanges that took place between minority and majority, and reflects on the challenges for multicultural living shaped by pluralism, democracy, and socio-political tolerance.
The World Must Know depicts the evolution of the Holocaust comprehensively, as it is presented in the United States Holocaust Memorial Museum. The United States Holocaust Memorial Museum in Washington, D.D., honors the six-million Jews and millions of other victims of the Nazis during World War II--a memorial to the past and a living reminder of the moral obligations of societies and individuals. The World Must Know documents the compelling human stories of the Holocaust as told in the Museum's renowned Permanent Exhibition. This second edition is based on the substantive increase in knowledge of the Holocaust over the past dozen years and information from archives that had been inaccessible to researchers until after the collapse of the Soviet Union and the communist regimes of Easten and Central Europe. This revised edition is enhanced with new insights and updates based on archival information that had been inaccessible to researchers until after the collapse of the Soviet Union and the Communist regimes of Eastern and Central Europe. It includes new photographs, redrawn charts, a new section on the Holocaust in Greece, an updated bibliography, and a new foreword by the museum director. "The World Must Know by Michael Berenbaum is a skillfully organized and clearly told account of the German Holocaust that consumed, with unparalleled malevolence, six million Jews and millions of innocent others--Protestants, Catholics, Poles, Russians, Gypsies, the handicapped, and so many others, adults and children. This important book, a vital guide through the unique corridors of the United States Holocaust Memorial Museum in Washington, D.C., merits the widest of audiences." --Chaim Potok, author of The Chosen and The Promise Published on behalf of the United States Holocaust Memorial Museum
n The Jewish World of Alexander Hamilton, Andrew Porwancher debunks a string of myths about the origins of this founding father to arrive at a startling conclusion: Hamilton, in all likelihood, was born and raised Jewish. For more than two centuries, his youth in the Caribbean has remained shrouded in mystery. Hamilton himself wanted it that way, and most biographers have simply assumed he had a Christian boyhood. With a detective’s persistence and a historian’s rigor, Porwancher upends that assumption and revolutionizes our understanding of an American icon. This radical reassessment of Hamilton’s religious upbringing gives us a fresh perspective on both his adult years and the country he helped forge. Although he didn’t identify as a Jew in America, Hamilton cultivated a relationship with the Jewish community that made him unique among the founders. As a lawyer, he advocated for Jewish citizens in court. As a financial visionary, he invigorated sectors of the economy that gave Jews their greatest opportunities. As an alumnus of Columbia, he made his alma mater more welcoming to Jewish people. And his efforts are all the more striking given the pernicious antisemitism of the era. In a new nation torn between democratic promises and discriminatory practices, Hamilton fought for a republic in which Jew and Gentile would stand as equals.
By setting Hamilton in the context of his Jewish world for the first time, this fascinating book challenges us to rethink the life and legend of America's most enigmatic founder.
Despite the importance of historical and contemporary migration to the American Jewish community, popular awareness of the diversity and complexity of the American Jewish migration legacy is limited and largely focused upon Yiddish-speaking Jews who left the Pale of Settlement in Eastern Europe between 1880 and 1920 to settle in eastern and midwestern cities. Wandering Jews provides readers with a broader understanding of the Jewish experience of migration in the United States and elsewhere. It describes the record of a wide variety of Jewish migrant groups, including those encountering different locations of settlement, historical periods, and facets of the migration experience. While migrants who left the Pale of Settlement in the late nineteenth and early twentieth centuries are discussed, the volume’s authors also explore less well-studied topics. These include the fate of contemporary Jewish academics who seek to build communities in midwestern college towns; the adaptation experience of recent Jewish migrants from Latin America, Israel, and the former Soviet Union; the adjustment of Iranian Jews; the experience of contemporary Jewish migrants in France and Belgium; the return of Israelis living abroad; and a number of other topics. Interdisciplinary, the volume draws upon history, sociology, geography, and other fields.
How do people link the past to the present, marking continuity in the face of the fundamental discontinuities of history? A Time to Gather argues that historical records took on potent value in modern Jewish life as both sources of history and anchors of memory because archives presented one way of transmitting Jewish history from one generation to another as well as making claims of access to an "authentic" Jewish culture. Indeed, both before the Holocaust and especially in its aftermath, Jewish leaders around the world felt a shared imperative to muster the forces and resources of Jewish life. It was a "time to gather," a feverish era of collecting-and conflict-in which archive-making was both a response to the ruptures of modernity, and a mechanism for communities to express their cultural hegemony. Jason Lustig explores how archives became battlegrounds over control of Jewish culture from the turn of the twentieth century to the cusp of the digital era. He excavates a tradition of monumental collecting, represented by repositories like the Gesamtarchiv der deutschen Juden, the German Jews' central archive formed in Berlin in 1903, alongside the Central Archives for the History of the Jewish People in Jerusalem and the American Jewish Archives in Cincinnati, both opened in 1947, which all showcase the continual struggle over "owning" the Jewish past. Lustig presents archive-making as an organizing principle of twentieth-century Jewish culture, as a metaphor of great power and broad symbolic meaning with the dispersion and gathering of documents falling in the context of the Jews' long diasporic history. In this light, creating archives was just as much about the future as it was about the past.
Francine Prose argues that the diary of Anne Frank is as much a deliberate work of art as it is an historical record, noting its literary merits and thoroughly investigating the diary's unique afterlife as one of the world's most read, and banned, books.
A fascinating glimpse into the world of the coffeehouse and its role in shaping modern Jewish culture Unlike the synagogue, the house of study, the community center, or the Jewish deli, the café is rarely considered a Jewish space. Yet, coffeehouses profoundly influenced the creation of modern Jewish culture from the mid-nineteenth to mid-twentieth centuries. With roots stemming from the Ottoman Empire, the coffeehouse and its drinks gained increasing popularity in Europe. The "otherness," and the mix of the national and transnational characteristics of the coffeehouse perhaps explains why many of these cafés were owned by Jews, why Jews became their most devoted habitués, and how cafés acquired associations with Jewishness.
The influence of Jews in American entertainment from the early days of Hollywood to the present has proved an endlessly fascinating and controversial topic, for Jews and non-Jews alike. From Shtetl to Stardom: Jews and Hollywood takes an exciting and innovative approach to this rich and complex material. Exploring the subject from a scholarly perspective as well as up close and personal, the book combines historical and theoretical analysis by leading academics in the field with inside information from prominent entertainment professionals.
The Y located at 92nd Street and Lexington Avenue in New York City is the largest and oldest continuously operating YM-YWHA in the US. Many of the most important figures in modern dance premiered on its stage, but until now no one has thought to ask why this should have been so. As Naomi Jackson shows in Converging Movements, the Y's particular conception of Jewishness laid the groundwork for the establishment of a center for dance in the 1930s. William Kolodney, who served as the Y's education director from 1934 until 1969, expanded its educational and arts programming to include a great deal of nonsectarian material, and as Jackson shows, modern dance epitomized Kolodney's humanistic ideals regarding the uplifting role of the arts. Together with his dance advisors, most notably Doris Humphrey, John Martin, and Louis Horst, Kolodney oversaw a program characterized by a broad mix of Jewish and non-Jewish performers from Alvin Ailey, Katherine Dunham, and Ruth St. Denis to Anna Sokolow, José Limón, Erick Hawkins, Hanya Holm, Pearl Primus, and national and folk companies from Israel, the Philippines, Russia, Mexico, and elsewhere. Drawing on the Y's extensive archives and illustrated with rare photographs, Jackson's book locates modern dance at the heart of the Jewish encounter with America.
Alisa S. Lebow examines films from Jewish artists to reveal how the postmodern impulse to turn the lens inward intersects provocatively (and at times unwittingly) with historical tropes and stereotypes of the Jew. Using a multidisciplinary approach Lebow shows how this form of self-expression is challenging both autobiography and documentary and, in the process, changing the art of cinema and recording the cultural shifts of our time.
Many Jewish foods are beloved in American culture. Everyone eats bagels, and the delicatessen is ubiquitous from Midtown Manhattan to Los Angeles. Jewish American Food Culture offers readers an in-depth look at the well-known and unfamiliar Jewish dishes and the practices and culture of a diverse group. This is the source to find out what parve on packaging means, the symbolism of particular foods that are essential to holiday celebrations, what keeping kosher entails, how meals and food rituals are approached differently depending on how religious one is and the land of one's ancestors, and much more. An historical overview puts contemporary American Jews and their cuisine into context. Next, the main foods and ingredients of Jewish cuisine are explained. An interesting chapter on cooking practices follows. Chapters on holiday celebrations, eating out, and diet and health complete the overview. A chronology, glossary, resource guide, and selected bibliography make this an essential one-stop resource for every library.
Jewish film characters have existed almost as long as the medium itself. But around 1990, films about Jews and their representation in cinema multiplied and took on new forms, marking a significant departure from the past. With a fresh generation of Jewish filmmakers, writers, and actors at work, contemporary cinemas have been depicting a multiplicity of new variants, including tough Jews; brutish Jews; gay and lesbian Jews; Jewish cowboys, skinheads, and superheroes; and even Jews in space. The New Jew in Film is grounded in the study of over three hundred films from Hollywood and beyond. Nathan Abrams explores these new and changing depictions of Jews, Jewishness, and Judaism, providing a wider, more representative picture of this transformation. In this compelling, surprising, and provocative book, chapters explore masculinity, femininity, passivity, agency, and religion in addition to a departure into new territory--including bathrooms and food. Abrams's concern is to reveal how the representation of the Jew is used to convey confidence or anxieties about Jewish identity and history as well as questions of racial, sexual, and gender politics. In doing so, he provides a welcome overview of important Jewish films produced globally over the past twenty years.
"Tell me what you eat, and I will tell you what you are," wrote the eighteenth-century French politician and musician Jean Brillat-Savarin, giving expression to long held assumptions about the role of food, taste, and eating in the construction of cultural identities. Foodways-the cultural, religious, social, economic, and political practices related to food consumption and production-unpack and reveal the meaning of what we eat, our tastes. They explain not just our flavor profiles, but our senses of refinement and judgment. They also reveal quite a bit about the history and culture of how food operates and performs in society. Jewish food practices and products expose and explain how different groups within American society think about what it means to be Jewish and the values (as well as the prejudices) people have about what "Jewish" means. Food-what one eats, how one eats it, when one eats it-is a fascinating entryway into identity; for Jews, it is at once a source of great nostalgia and pride, and the central means by which acculturation and adaptation takes place. In chapters that trace the importance and influence of the triad of bagels, lox, and cream cheese, southern kosher hot barbecue, Jewish vegetarianism, American recipes in Jewish advice columns, the draw of eating treyf (nonkosher), and the geography of Jewish food identities, this volume explores American Jewish foodways, predilections, desires, and presumptions.
In the decades after the Civil War, sports slowly gained a prominent position within American culture. This development provided Jews with opportunities to participate in one of the few American cultures not closed off to them. Jewish athleticism challenged anti-Semitic depictions of Jews supposed physical inferiority while helping to construct a modern American Jewish identity. An Americanization narrative emerged that connected Jewish athleticism with full acceptance and integration into American society. This acceptance was not without struggle, but Jews succeeded and participated in the American sporting culture as athletes, coaches, owners, and fans. The diversity of topics in this volume reflect that the field of the history of American Jews and sports is growing and has moved beyond the need to overcome the idea that Jews are simply People of the Book. The contributions to this volume paint a broad picture of Jewish participation in sports, with essays written by respected historians who have examined specific sports, individuals, leagues, cities, and the impact of sport on Judaism. Despite the continued belief that Jewish religious or cultural identity remains somehow distinct from the American idea of the athlete, the volume demonstrates that American Jews have had a tremendous contribution to American sportsand conversely, that sports have helped construct American Jewish culture and identity.
An up-close view of the 1990s music scene that brought us neo-klezmer bands, Tzadik Records, and a new vision of Jewish identity.Coined in 1992 by composer/saxophonist John Zorn, "Radical Jewish Culture," or RJC, became the banner under which many artists in Zorn's circle performed, produced, and circulated their music. New York's downtown music scene, part of the once-grungy Lower East Side, has long been the site of cultural innovation, and it is within this environment that Zorn and his circle sought to combine, as a form of social and cultural critique, the unconventional, uncategorizable nature of downtown music with sounds that were recognizably Jewish.Out of this movement arose bands, like Hasidic New Wave and Hanukkah Bush, whose eclectic styles encompassed neo-klezmer, hardcore and acid rock, neo-Yiddish cabaret, free verse, free jazz, and electronica. Though relatively fleeting in rock history, the "RJC moment" produced a six-year burst of conversations, writing, and music--including festivals, international concerts, and nearly two hundred new recordings. During a decade of research, Tamar Barzel became a frequent visitor at clubs, post-club hangouts, musicians' dining rooms, coffee shops, and archives. Her book describes the way RJC forged a new vision of Jewish identity in the contemporary world, one that sought to restore the bond between past and present, to interrogate the limits of racial and gender categories, and to display the tensions between secularism and observance, traditional values and contemporary concerns.Includes links to audiovisual content
The collection of articles chosen by the editors presents a broad variety of issues connected with Jewish languages (Judeo-Spanish, Yiddish) and co-territorial languages used by Ashkenazi and Sephardic Jews in different places and periods. Thus, the book contains both strictly linguistic and sociolinguistic descriptions (including the aspects of evaluating language, language in contact or linguistic identity), the presentation of languages in literary works (and their translations) from different periods, as well as lexicographical and cultural observations. This thematic variety shows opportunities for the research into the languages of both Jewish groups and inspires other scientific projects in this field.
Jewish customs and traditions about death, burial and mourning are numerous, diverse and intriguing. They are considered by many to have a respectable pedigree that goes back to the earliest rabbinic period. In order to examine the accurate historical origins of many of them, an international conference was held at Tel Aviv University in 2010 and experts dealt with many aspects of the topic. This volume includes most of the papers given then, as well as a few added later. What emerges are a wealth of fresh material and perspectives, as well as the realization that the high Middle Ages saw a set of exceptional innovations, some of which later became central to traditional Judaism while others were gradually abandoned. Were these innovations influenced by Christian practice? Which prayers and poems reflect these innovations? What do the sources tell us about changing attitudes to death and life-after death? Are tombstones an important guide to historical developments? Answers to these questions are to be found in this unusual, illuminating and readable collection of essays that have been well documented, carefully edited and well indexed.
From the birth of Jewish history to the rebirth of the State of Israel, the author, the former Israeli ambassador to the U.S. and the U.N., traces four thousand years of Jewish experience.
The Oxford Handbook of Jewish Music Studies is the most comprehensive and expansive critical handbook of Jewish music published to date. It is the first endeavor to address the diverse range of sounds, texts, archives, traditions, histories, geographic and political contexts, and critical discourses in the field. The thirty-one experts from thirteen countries who prepared the thirty original and groundbreaking chapters in this handbook are leaders in the disciplines of musicology and Jewish studies as well as adjacent fields. Chapters in the handbook provide a broad coverage of the subject area with considerable expansion of the topics that are normally covered in a resource of this type. Designed around eight distinct sections -- Land, City, Ghetto, Stage, Sacred and Ritual Spaces, Destruction / Remembrance, and Spirit -- the range and scope of The Oxford Handbook of Jewish Music Studies most significantly suggests a new framework for the study of Jewish music centered on spatiality and taking into consideration temporality and collectivity. Within each chapter, authors have selected what they consider to be the most important material relevant to their topic and, drawing on the most authoritative insights from historical and ethnomusicology, Jewish studies, history, anthropology, philology, religious studies, and the visual arts, have taken a genuinely inter- or transdisciplinary approach. Integrated chapter bibliographies provide material for further reading. Together the chapters form a first truly global look at Jewish music, incorporating studies from Central and East Asia, Europe, Australia, the Americas, and the Arab world. Together they span world history, from antiquity until the present day. As such, the Handbook provides a resource that researchers, scholars, and educators will use as the most important and authoritative overview of work within music and Jewish studies.
Experiencing Jewish Music in America offers an accessible exploration of the remarkably diverse landscape that comprises Jewish music in the U.S. This survey on the art of listening to this dynamic and diverse musical culture invites listeners from all walks of life to enjoy the many types of Jewish music available in their communities.
Yiddish Recipes Revisited Arthur Schwartz knows how Jewish food warms the heart and delights the soul, whether it's talking about it, shopping for it, cooking it, or, above all, eating it. JEWISH HOME COOKING presents authentic yet contemporary versions of traditional Ashkenazi foods-rugulach, matzoh brei, challah, brisket, and even challenging classics like kreplach (dumplings) and gefilte fish-that are approachable to make and revelatory to eat. Chapters on appetizers, soups, dairy (meatless) and meat entrees, Passover meals, breads, and desserts are filled with lore about individual dishes and the people who nurtured them in America. Light-filled food and location photographs of delis, butcher shops, and specialty grocery stores paint a vibrant picture of America's touchstone Jewish food culture. Stories, culinary history, and nearly 100 recipes for Jewish home cooking from the heart of American Jewish culture, New York City. Written by one of the country's foremost experts on traditional and contemporary Jewish food, cooking, and culinary culture.
"A new type of Jewish art emerged in Late Antiquity, when artists produced visual depictions that had not existed earlier within a Jewish context--figural images (including pagan motifs), biblical scenes, and religious symbols. Visual Judaism locates this phenomenon in the wider context of Late Antiquity, revealing new insights into the role of visual culture in Jewish society, in which individual communities determined what forms of artistic expression would be displayed in their synagogues. Following introductory chapters surveying Jewish art over almost fifteen hundred years, down to the third century CE, author Lee I. Levine focuses on the wealth of archaeological, artistic, and textural material from the third to seventh centuries, demonstrating how this artistic activity responded to new historical circumstances.
Contemporary Jewish art is a growing field that includes traditional as well as new creative practices, yet criticism of it is almost exclusively reliant on the Second Commandment's prohibition of graven images. Arguing that this disregards the corpus of Jewish thought and a century of criticism and interpretation, Ben Schachter advocates instead a new approach focused on action and process. Departing from the traditional interpretation of the Second Commandment, Schachter addresses abstraction, conceptual art, performance art, and other styles that do not rely on imagery for meaning. He examines Jewish art through the concept of melachot--work-like "creative activities" as defined by the medieval Jewish philosopher Maimonides. Showing the similarity between art and melachot in the active processes of contemporary Jewish artists such as Ruth Weisberg, Allan Wexler, Archie Rand, and Nechama Golan, he explores the relationship between these artists' methods and Judaism's demanding attention to procedure. A compellingly written challenge to traditionalism, Image, Action, and Idea in Contemporary Jewish Art makes a well-argued case for artistic production, interpretation, and criticism that revels in the dual foundation of Judaism and art history.
Entangling questions of sexiness to race, gender, and class, The Case of the Sexy Jewess frames an embodied joke-work genre that is most often, but not always meant to be funny. In a contemporary period after the thrusts of assimilation and women's liberation movements, performances usher in new versions of old scripts with ranging consequences. At the core is the recuperative performance of identity through impersonation, and the question of its radical or conservative potential. Appropriating, re-appropriating, and mis-appropriating identity material within and beyond their midst, Sexy Jewess artists play up the failed logic of representation by mocking identity categories altogether. They act as comic chameleons, morphing between margin and center in countless number of charged caricatures. Embodying ethnic and gender positions as always already on the edge while ever more in the middle, contemporary Jewish female performers extend a comic tradition in new contexts, mobilizing progressive discourses from positions of newfound race and gender privilege.
In drama and in musical comedy, in popular song and in symphonic music, in movies and in literature, Jews have contributed to American culture in the 20th century to a degree out of all proportion to their numbers. But does this vast creative output coalesce into something identifiable as an American Jewish culture? Stephen J. Whitfield answers this question with a resounding "yes!" Whitfield focuses on areas where the specifically Jewish contribution has been little explored. He surveys such fields as popular music, musical theater, and drama, focusing on key figures from Jerome Kern and the Gershwins to Stephen Sondheim and Jerome Robbins; Leonard Bernstein and Aaron Copland to Irving Berlin and Bob Dylan; Arthur Miller and Lillian Hellman to David Mamet and Wendy Wasserstein. At the same time, Whitfield tackles the complex issue of race and American Jewish culture, tracing the extensive interpenetrations of Jewish and African American music. He also offers a stunning examination of Jewish American representations of the Holocaust, focusing on stage and film adaptations of Anne Frank's Diary and on Steven Spielberg's Schindler's List. In a poignant, final chapter, Whitfield ponders the future of American Jewish culture after a century of assimilationist pressure and mainstream success. The distinctive culture that he has traced through the 20th century, Whitfield concludes, may finally become submerged and lost. Only a renewed emphasis on Judaism itself, he believes, offers the hope for American Jews to maintain the dual cultural identities that they have so long succeeded in nurturing.
Modernity offers people choices about who they want to be and how they want to appear to others. The way in which Jews choose to frame their identity establishes the dynamic of their social relations with other Jews and non-Jews - a dynamic complicated by how non-Jews position the boundaries around what and who they define as Jewish. This book uncovers these processes, historically, as well as in contemporary behavior, and finds explanations for the various manifestations, in feeling and action, of 'being Jewish.' Boundaries and borders raise fundamental questions about the difference between Jews and non-Jews. At root, the question is how 'Jewish' is understood in social situations where people recognize or construct boundaries between their own identity and those of others. The question is important because this is by definition the point at which the lines of demarcation between Jews and non-Jews, and between different groupings of Jews, are negotiated. Collectively, the contributors to the book expand our understanding of the social dynamics of framing Jewish identity. The book opens with an introduction that locates the issues raised by the contributors in terms of the scholarly traditions from which they have evolved. Part I presents four essays dealing with the construction and maintenance of boundaries - two by scholars showing how boundaries come to be etched on an ethnic landscape and two by activists who question and adjust distinctions among neighbors. Part II focuses on expressive means of conveying identity and memory, while, in Part III, the discussion turns to museum exhibitions and festive performances as locations for the negotiation of identity in the public sphere. A lively discussion forum concludes the book with a consideration of the paradoxes of Jewish heritage revival in Poland, and the perception of that revival by Jews and non-Jews.
Winner of the Association of Jewish Libraries' 2022 Judaica Bibliography Award. The seven essays in this volume focus such previously unexplored subjects as the world's first cookbook printed in Hebrew letters, published in 1854, and a wonderful 19th-century Jewish cookbook, which in addition to its Hungarian edition was also published in Dutch in Rotterdam. The author entertainingly reconstructs the history of bólesz, a legendary yeast pastry that was the specialty of a famous, but long defunct Jewish coffeehouse in Pest, and includes the modernized recipe of this distant relative of cinnamon rolls. Koerner also tells the history of the first Jewish bookstore in Hungary (founded as early as in 1765!) and examines the influence of Jewish cuisine on non-Jewish food. In this volume András Koerner explores key issues of Hungarian Jewish culinary culture in greater detail and more scholarly manner than what space restrictions permitted in his previous work Jewish Cuisine in Hungary: A Cultural History,also published by CEU Press, which received the prestigious National Jewish Book Award in 2020. The current essays confirm the extent to which Hungarian Jewry was part of the Jewish life and culture of the Central European region before their almost total language shift by the turn of the 20th century.
I was "the bride who knew nothing" . . . And now I love sharing the joy of kosher cooking with people like me: Busy parents who want to make real food for real families in a snap, and people who want to entertain without slaving in the kitchen, knowing their dishes will always elicit oohs and aahs. Our Sabbath and holiday meals are warm, fun, and flowing with food, family, and tons of guests. Do the math: two weekly Shabbos meals + 26 holiday banquets = 130 feasts per year, not to mention feeding my hungry family every other day of the week. That plus a full-time job should qualify me as some kind of expert in fast, fresh family dinners! Here in Joy of Kosher I share more than 100 of my absolute best recipes and give each a creative twist: Dress It Up--add some bling for your party table--or Dress It Down and lure your picky eaters to meals they'll beg for again and again. That's more than 200 recipes! A few of my faves: Crystal Clear Chicken Soup with Julienned Vegetables and Angel Hair (Dress It Down: Chicken Noodle Alphabet Soup) Garlic Honey Brisket (Dress It Down: Honey Brisket Pita Pockets) Miso-Glazed Salmon (Dress It Up: Avocado-Stuffed Miso-Glazed Salmon) Butternut Squash Mac 'n' Cheese (Dress It Down: Mac 'n' Cheese Muffin Cups) Gooey Chocolate Cherry Cake (Dress It Up: Red Wine Chocolate Cherry Heart Cake) And talk about challah! I give you ten yummy variations, including Sun-Dried Tomato, Garlic, and Herb Braided Challah; Blueberry Apple Challah Rolls; Sea-Salted Soft Challah Pretzel Rolls; and Gooey Pecan Challah Sticky Buns. All that, plus gorgeous photos, wine pairings, time-savers, and my guide to sane, no-jitters holiday menus. I hope you love this book as much as I loved writing it for you!
The Second Avenue Deli has been an internationally renowned Gotham landmark for nearly half a century. Over the years, its founder, Abe Lebewohl, provided the best Jewish fare in town, transforming his tiny ten-seat Village eatery into a New York institution. The Second Avenue Deli Cookbook contains more than 160 of Abe Lebewohl's recipes, including all of the Deli's peerless renditions of traditional Jewish dishes- chicken soup with matzo balls, chopped liver, gefilte fish, kasha varnishkes, mushroom barley soup, noodle kugel, potato latkes, blintzes, and many more. These versatile dishes are perfect for any occasion-from holiday dinners to Sunday brunches with friends and family. The late Abe Lebewohl was a great restaurateur in the showman tradition and a well-known and much-loved New York personality. His famous Deli attracted hundreds of celebrity patrons, many of whom have graciously contributed to this cookbook not only personal reminiscences but also recipes, running the gamut from Morley Safer's family brisket to Paul Reiser's formula for the perfect egg cream. A wonderful blend of New York and Jewish history and mouthwatering recipes, The Second Avenue Deli Cookbook provides a delicious taste of nostalgia.
Winner of the 2019 National Jewish Book Award in the category of Food Writing & Cookbooks. The author refuses to accept that the world of pre-Shoah Hungarian Jewry and its cuisine should disappear almost without a trace and feels compelled to reconstruct its culinary culture. His book―with a preface by Barbara Kirshenblatt-Gimblett―presents eating habits not as isolated acts, divorced from their social and religious contexts, but as an organic part of a way of life. According to Kirshenblatt-Gimblett: "While cookbooks abound, there is no other study that can compare with this book. It is simply the most comprehensive account of a Jewish food culture to date." Indeed, no comparable study exists about the Jewish cuisine of any country, or―for that matter―about Hungarian cuisine. It describes the extraordinary diversity that characterized the world of Hungarian Jews, in which what could or could not be eaten was determined not only by absolute rules, but also by dietary traditions of particular religious movements or particular communities. Ten chapters cover the culinary culture and eating habits of Hungarian Jewry up to the 1940s, ranging from kashrut (the system of keeping the kitchen kosher) through the history of cookbooks, the food traditions of weekdays and holidays, the diversity of households, and descriptions of food and hospitality industries to the history of some typical dishes. Although this book is primarily a cultural history and not a cookbook, it includes 83 recipes, as well as nearly 200 fascinating pictures of daily life and documents.i
"A land of wheat and barley, of grape vines and fig trees and pomegranates; a land of olive trees and honey . . . you shall eat and be satisfied."?--Deut. 8:8-10 A Celebration of Classic Jewish Vegetarian Cooking from Around the World Traditions of Jewish vegetarian cooking span three millennia and the extraordinary geographical breadth of the Jewish diaspora--from Persia to Ethiopia, Romania to France. Acclaimed Judaic cooking expert, chef, and rabbi Gil Marks uncovers this vibrant culinary heritage for home cooks.Olive Trees and Honey is a magnificent treasury shedding light on the truly international palette of Jewish vegetarian cooking, with 300 recipes for soups, salads, grains, pastas, legumes, vegetable stews, egg dishes, savory pastries, and more. From Sephardic Bean Stew (Hamin) to Ashkenazic Mushroom Knishes, Italian Fried Artichokes to Hungarian Asparagus Soup, these dishes are suitable for any occasion on the Jewish calendar--festival and everyday meal alike. Marks's insights into the origins and evolution of the recipes, suggestions for holiday menus from Yom Kippur to Passover, and culture-rich discussion of key ingredients enhance this enchanting portrait of the Jewish diaspora's global legacy of vegetarian cooking.
The powerful coming-of-age story of an ultra-Orthodox child who was born to become a rabbinic leader and instead became a woman Abby Stein was raised in a Hasidic Jewish community in Brooklyn, isolated in a culture that lives according to the laws and practices of eighteenth-century Eastern Europe, speaking only Yiddish and Hebrew and shunning modern life. Stein was born as the first son in a dynastic rabbinical family, poised to become a leader of the next generation of Hasidic Jews. But Abby felt certain at a young age that she was a girl. She suppressed her desire for a new body while looking for answers wherever she could find them, from forbidden religious texts to smuggled secular examinations of faith. Finally, she orchestrated a personal exodus from ultra-Orthodox manhood to mainstream femininity-a radical choice that forced her to leave her home, her family, her way of life. Powerful in the truths it reveals about biology, culture, faith, and identity, Becoming Eve poses the enduring question: How far will you go to become the person you were meant to be?
The story of a child's unique struggle for identity and home when nothing in her world told her who she was or where she belonged. Poetic reflections on memory, time, and identity punctuate this gritty exploration of race and sexuality.
The concept of ethnicity, once in vogue, has largely gone out of fashion among twenty-first-century social scientists, now replaced by models of assimilation defined in terms of the construction of whiteness and white supremacy. Beyond Whiteness: Revisiting Jews in Ethnic America explores the benefits of reconfiguring the ethnic concept as a tool to analyze the experiences of twentieth-century American Jews?not only in relation to other ?white? groups of European descent, but also African Americans and Asian Americans, among others. The essays presented here, ranging from comparative studies of Jews and Asians as ?model minorities? to the examination of postethnic ?Jews of color,? demonstrate that expanding ethnicity beyond the traditional Eurocentric frame can yield fresh insights into the character of Jewish life in the modern United States.
EAT FIRST--YOU DONT KNOW WHAT THEYLL GIVE YOU, written with warmth and humor, is the story of Sonia Pressman Fuentes, one of the pioneers of the Second Wave of the womens movement and her family. Fuentes, who was born in Berlin, Germany, came to the US with her immediate family to escape the Holocaust. Her memoirs reveal how the five-year-old immigrant in 1934 became the first woman attorney in the Office of the General Counsel at the Equal Employment Opportunity Commission (EEOC) in 1965, one of the founders of the National Organization for Women (NOW) in 1966, the highest-paid woman at the headquarters of two multinational corporations: GTE and TRW, and an international speaker on womens rights for the US Information Agency.
This collection of essays explores changes among American Jews in their self-understanding during the last half of the 20th century. Written by scholars who grew up after World War II and the Holocaust who participated in political struggles in the 1960s and 1970s and who articulated many of the formative concepts of modern Jewish studies, this anthology provides a window into an era of social change. These men and women are among the leading scholars of Jewish history, society and culture.
The Family Flamboyant is a graceful and lucid account of the many routes to family formation. Weaving together personal experience and political analysis in an examination of how race, gender, sexuality, class, and other hierarchies function in family politics, Marla Brettschneider draws on her own experience in a Jewish, multiracial, adoptive, queer family in order to theorize about the layered realities that characterize families in the United States today. Brettschneider uses critical race politics, feminist insight, class-based analysis, and queer theory to offer a distinct and distinctly Jewish contribution to both the family debates and the larger project of justice politics.
In Taking Root, Latin American women of Jewish descent, from Mexico to Uruguay, recall their coming of age with Sabbath candles and Hebrew prayers, Ladino songs and merengue music, Queen Esther and the Virgin of Guadalupe. Rich and poor, Sephardi and Ashkenazi, Jewish immigrant families searched for a new home and identity in predominantly Catholic societies. The essays included here examine the religious, economic, social, and political choices these families have made and continue to make as they forge Jewish identities in the New World. Marjorie Agosín has gathered narratives and testimonies that reveal the immense diversity of Latin American Jewish experience. These essays, based on first- and second-generation immigrant experience, describe differing points of view and levels of involvement in Jewish tradition. In Taking Root, Agosín presents us with a contemporary and vivid account of the Jewish experience in Latin America. Taking Root documents the sadness of exile and loss but also a fierce determination to maintain Jewish traditions. This is Jewish history but it is also part of the untold history of Brazil, Argentina, El Salvador, Ecuador, Chile, Peru, and all of Latin America.
In 1910, at the age of fifty-one, Alexander Ziskind Gurwitz made the bold decision to emigrate with his wife and four children from southeastern Ukraine in Tsarist Russia to begin a new life in Texas. In 1935, in his seventies, Gurwitz composed a retrospective autobiography, Memories of Two Generations, that recounts his personal story both of the rich history of the lost Jewish world of Eastern Europe and of the rambunctious development of frontier Jewish communities in the United States.
Many Jewish artists and writers contributed to the creation of popular comics and graphic novels, and in The Quest for Jewish Belief and Identity in the Graphic Novel, Stephen E. Tabachnick takes readers on an engaging tour of graphic novels that explore themes of Jewish identity and belief.The creators of Superman (Jerry Siegel and Joe Shuster), Batman (Bob Kane and Bill Finger), and the Marvel superheroes (Stan Lee and Jack Kirby), were Jewish, as was the founding editor of Mad magazine (Harvey Kurtzman).
Sephardi and Mizrahi Jews in America includes academics, artists, writers, and civic and religious leaders who contributed chapters focusing on the Sephardi and Mizrahi experience in America. Topics will address language, literature, art, diaspora identity, and civic and political engagement. When discussing identity in America, one contributor will review and explore the distinct philosophy and culture of classic Sephardic Judaism, and how that philosophy and culture represents a viable option for American Jews who seek a rich and meaningful medium through which to balance Jewish tradition and modernity. Another chapter will provide a historical perspective of Sephardi/Ashkenazi Diasporic tensions. Additionally, contributors will address the term "Sephardi" as a self-imposed, collective, "ethnic" designation that had to be learned and naturalized-and its parameters defined and negotiated-in the new context of the United States and in conversation with discussions about Sephardic identity across the globe.
Offers a wide overview of the Sephardic presence in North and South America through eleven essays discussing culture, history, literature, language, religion and music.
Jews and Science examines the complicated relationship between Jewish identities and the evolving meanings of science throughout the history of Western academic culture. Jews have been not only the agents for study of things Jewish, but also the subject of examination by "scientists" across a range of disciplines, from biology and bioethics to anthropology and genetics. Even the most recent iteration of Jewish studies as an academic discipline--Israel studies--stresses the global cultural, economic, and social impact of Israeli science and medicine. The 2022 volume of the Casden Institute's Jewish Role in American Life series tackles a range of issues that have evolved with the rise of Jewish studies, throughout its evolution from interdisciplinary to transdisciplinary, and now finally as a discipline itself with its own degrees and departments in universities across the world. This book gathers contributions by scholars from various disciplines to discuss the complexity in defining "science" across multiple fields within Jewish studies. The scholars examine the role of the self-defined "Jewish" scholar, discerning if their identification with the object of study (whether that study be economics, criminology, medicine, or another field entirely) changes their perception or status as scientists. They interrogate whether the myriad ways to study Jews and their relationship to science--including the role of Jews in science and scientific training, the science of the Jews (however defined), and Jews as objects of scientific study--alter our understanding of science itself. The contributors of Jews and Science take on the challenge to confront these central problems.
The historical biography of a true Jewish heroine in her day, Gracia Mendes. Born in 1510 in Portugal, the book details this woman's extraordinary personality until her death in 1569 in Constantinople (today's Istanbul). Her life exemplified a perseverance by the Jewish culture to survive and triumph even in the worst of conditions. As a young girl, Gracia secretly married successful Jewish spice trader, Francisco Mendes. But at age 27 she became a widow, yet she went on to raise her children and run the family business all on her own. Her travels led her through Antwerp, Venice, Ferrara, Ragusa, and finally to Constantinople, from where the Ottoman Empire dominated former Byzantium territories and offered shelter for battered Conversos (converted Jews). The text recounting the last fifteen years of Gracia's life at the center of the Empire is particularly revealing. Birnbaum's biography has the unique distinction of being the first among many studies to pay tribute to a woman during this period. It is also one of the first titles to pay equal attention to the lives of the Conversos in Christian West Europe and in the Muslim East.
On September 23, 1939, Wladyslaw Szpilman played Chopin’s Nocturne in C-sharp minor live on the radio as shells exploded outside—so loudly that he couldn’t hear his piano. It was the last live music broadcast from Warsaw: That day, a German bomb hit the station, and Polish Radio went off the air. Though he lost his entire family, Szpilman survived in hiding. In the end, his life was saved by a German officer who heard him play the same Chopin Nocturne on a piano found among the rubble. Written immediately after the war and suppressed for decades, The Pianist is a stunning testament to human endurance and the redemptive power of fellow feeling.
My Father's Paradise is Ariel Sabar's quest to reconcile present and past. As Ariel's father, Yona, travels with him to today's postwar Iraq to find what's left of Yona's birthplace, Ariel brings to life the ancient town of Zakho, telling his family's story and discovering his own role in this sweeping saga. What he finds in the Sephardic Jews' millennia-long survival in Islamic lands is an improbable story of tolerance and hope.
The first full biography of Albert Einstein since all of his papers have become available shows how his scientific imagination sprang from the rebellious nature of his personality. Biographer Isaacson explores how an imaginative, impertinent patent clerk--a struggling father in a difficult marriage who couldn't get a teaching job or a doctorate--became the locksmith of the mysteries of the atom and the universe. His success came from questioning conventional wisdom and marveling at mysteries that struck others as mundane. This led him to embrace a morality and politics based on respect for free minds, free spirits, and free individuals. These traits are just as vital for this new century of globalization, in which our success will depend on our creativity, as they were for the beginning of the last century, when Einstein helped usher in the modern age.
Wrestling with God and Men is the product of Rabbi Greenberg's ten-year struggle to reconcile his two warring identities. In this compelling and groundbreaking work, Greenberg challenges long-held assumptions of scriptural interpretation and religious identity as he marks a path that is both responsible to human realities and deeply committed to God and Torah. Employing traditional rabbinic resources, Greenberg presents readers with surprising biblical interpretations of the creation story, the love of David and Jonathan, the destruction of Sodom, and the condemning verses of Leviticus. But Greenberg goes beyond the question of whether homosexuality is biblically acceptable to ask how such relationships can be sacred. In so doing, he draws on a wide array of nonscriptural texts to introduce readers to occasions of same-sex love in Talmudic narratives, medieval Jewish poetry and prose, and traditional Jewish case law literature. Ultimately, Greenberg argues that Orthodox communities must open up debate, dialogue, and discussion--precisely the foundation upon which Jewish law rests--to truly deal with the issue of homosexual love.
'James McBride evokes his childhood trek across the great racial divide with the kind of power and grace that touches and uplifts all our hearts.' - Bebe Moore Campbell 'A triumph...The two stories, son's and mother's, beautifully juxtaposed, strike a graceful note at a time of racial polarization.' - The New York Times Book Review
Born Igor Shteyngart in Leningrad during the twilight of the Soviet Union, the curious, diminutive, asthmatic boy grew up with a persistent sense of yearning—for food, for acceptance, for words—desires that would follow him into adulthood. At five, Igor wrote his first novel, Lenin and His Magical Goose, and his grandmother paid him a slice of cheese for every page.In the late 1970s, world events changed Igor’s life. Jimmy Carter and Leonid Brezhnev made a deal: exchange grain for the safe passage of Soviet Jews to America—a country Igor viewed as the enemy. Along the way, Igor became Gary so that he would suffer one or two fewer beatings from other kids. Coming to the United States from the Soviet Union was equivalent to stumbling off a monochromatic cliff and landing in a pool of pure Technicolor. Shteyngart’s loving but mismatched parents dreamed that he would become a lawyer or at least a “conscientious toiler” on Wall Street, something their distracted son was simply not cut out to do. Fusing English and Russian, his mother created the term Failurchka—Little Failure—which she applied to her son. With love. Mostly. As a result, Shteyngart operated on a theory that he would fail at everything he tried. At being a writer, at being a boyfriend, and, most important, at being a worthwhile human being. Swinging between a Soviet home life and American aspirations, Shteyngart found himself living in two contradictory worlds, all the while wishing that he could find a real home in one. And somebody to love him. And somebody to lend him sixty-nine cents for a McDonald’s hamburger. Provocative, hilarious, and inventive, Little Failure reveals a deeper vein of emotion in Gary Shteyngart’s prose. It is a memoir of an immigrant family coming to America, as told by a lifelong misfit who forged from his imagination an essential literary voice and, against all odds, a place in the world.
The Lost begins as the story of a boy who grew up in a family haunted by the disappearance of six relatives during the Holocaust—an unmentionable subject that gripped his imagination from earliest childhood. Decades later, spurred by the discovery of a cache of desperate letters written to his grandfather in 1939 and tantalized by fragmentary tales of a terrible betrayal, Daniel Mendelsohn sets out to find the remaining eyewitnesses to his relatives' fates. That quest eventually takes him to a dozen countries on four continents and forces him to confront the wrenching discrepancies between the histories we live and the stories we tell. And it leads him, finally, back to the small Ukrainian town where his family's story began, and where the solution to a decades-old mystery awaits him. Deftly moving between past and present, interweaving a world-wandering odyssey with childhood memories of a now-lost generation of immigrant Jews and provocative ruminations on biblical texts and Jewish history, The Lost transforms the story of one family into a profound, morally searching meditation on our fragile hold on the past. Deeply personal, grippingly suspenseful, and beautifully written, this literary tour de force illuminates all that is lost, and found, in the passage of time.
he Periodic Table is largely a memoir of the years before and after Primo Levi’s transportation from his native Italy to Auschwitz as an anti-Facist partisan and a Jew. It recounts, in clear, precise, unfailingly beautiful prose, the story of the Piedmontese Jewish community from which Levi came, of his years as a student and young chemist at the inception of the Second World War, and of his investigations into the nature of the material world. As such, it provides crucial links and backgrounds, both personal and intellectual, in the tremendous project of remembrance that is Levi’s gift to posterity. But far from being a prologue to his experience of the Holocaust, Levi’s masterpiece represents his most impassioned response to the events that engulfed him.The Periodic Table celebrates the pleasures of love and friendship and the search for meaning, and stands as a monument to those things in us that are capable of resisting and enduring in the face of tyranny.
"My dear children, I write this for you in case your dear children or grandchildren come to you one of these days, knowing nothing of their family. For this reason I have set this down for you here in brief, so that you might know what kind of people you come from." These words from the memoirs Glikl bas Leib wrote in Yiddish between 1691 and 1719 shed light on the life of a devout and worldly woman. Writing initially to seek solace in the long nights of her widowhood, Glikl continued to record the joys and tribulations of her family and community in an account unique for its impressive literary talents and strong invocation of self. Through intensely personal recollections, Glikl weaves stories and traditional tales that express her thoughts and beliefs. While influenced by popular Yiddish moral literature, Glikl's frequent use of first person and the significance she assigns her own life experience set the work apart. Informed by fidelity to the original Yiddish text, this authoritative new translation is fully annotated to explicate Glikl's life and times, offering readers a rich context for appreciating this classic work.
What makes us who we are? What combination of memory, history, biology, experience, and that ineffable thing called the soul defines us? In the spring of 2016, through a genealogy website to which she had whimsically submitted her DNA for analysis, Dani Shapiro received the stunning news that her father was not her biological father. She woke up one morning and her entire history--the life she had lived--crumbled beneath her. Inheritance is a book about secrets--secrets within families, kept out of shame or self-protectiveness; secrets we keep from one another in the name of love. It is the story of a woman's urgent quest to unlock the story of her own identity, a story that has been scrupulously hidden from her for more than fifty years, years she had spent writing brilliantly, and compulsively, on themes of identity and family history. It is a book about the extraordinary moment we live in--a moment in which science and technology have outpaced not only medical ethics but also the capacities of the human heart to contend with the consequences of what we discover.
Many years after making his way to America from Odessa in Soviet Ukraine, Emil Draitser made a startling discovery: every time he uttered the word "Jewish"--even in casual conversation--he lowered his voice. This behavior was a natural by-product, he realized, of growing up in the anti-Semitic, post-Holocaust Soviet Union, when "Shush!" was the most frequent word he heard: "Don't use your Jewish name in public. Don't speak a word of Yiddish. And don't cry over your murdered relatives." This compelling memoir conveys the reader back to Draitser's childhood and provides a unique account of midtwentieth-century life in Russia as the young Draitser struggles to reconcile the harsh values of Soviet society with the values of his working-class Jewish family. Lively, evocative, and rich with humor, this unforgettable story ends with the death of Stalin and, through life stories of the author's ancestors, presents a sweeping panorama of two centuries of Jewish history in Russia.
A New Translation From The French By Marion Wiesel; Night is Elie Wiesel's masterpiece, a candid, horrific, and deeply poignant autobiographical account of his survival as a teenager in the Nazi death camps. This new translation by Marion Wiesel, Elie's wife and frequent translator, presents this seminal memoir in the language and spirit truest to the author's original intent. And in a substantive new preface, Elie reflects on the enduring importance of Night and his lifelong, passionate dedication to ensuring that the world never forgets man's capacity for inhumanity to man. Night offers much more than a litany of the daily terrors, everyday perversions, and rampant sadism at Auschwitz and Buchenwald; it also eloquently addresses many of the philosophical as well as personal questions implicit in any serious consideration of what the Holocaust was, what it meant, and what its legacy is and will be.
Discovered in the attic where she spent the last years of her life, Anne Frank’s remarkable diary has become a world classic—a powerful reminder of the horrors of war and an eloquent testament to the human spirit. In 1942, as Nazis occupied Holland, a thirteen-year-old Jewish girl and her family fled their home in Amsterdam and went into hiding. For the next two years, until their whereabouts were betrayed to the Gestapo, they and another family lived cloistered in the secret upstairs rooms of an old office building. Cut off from the outside world, they faced hunger, boredom, the constant cruelties of living in confined quarters, and the ever-present threat of discovery and death.In her diary Anne Frank recorded vivid impressions of her experiences during this period. By turns thoughtful, moving, and amusing, Anne’s account offers a fascinating commentary on human courage and frailty and a compelling self-portrait of a sensitive and spirited young woman whose promise was tragically cut short.
For both young readers and adults The Diary continues to capture the remarkable spirit of Anne Frank, who for a time survived the worst horror the modern world has seen—and who remained triumphantly and heartbreakingly human throughout her ordeal. Includes extensive quotations directly from the definitive edition; adapted by Ari Folman, illustrated by David Polonsky, and authorized by the Anne Frank Foundation in Basel.
Night is one of the masterpieces of Holocaust literature. First published in 1960, it is the autobiographical account of an adolescent boy and his father in Auschwitz. Wiesel writes of their battle for survival, and of his battle with God for a way to understand the wanton cruelty he witnesses each day.In the short novel Dawn (1961), a young man who has survived the Second World War and settled in Palestine is apprenticed to a Jewish terrorist gang. Command to execute a British officer who has been taken hostage, the former victim becomes an executioner.In The Accident, (1962), Wiesel again turns to fiction to question the limits of the spirit and the self: Can Holocaust survivors forge a new life without the memories of the old? As the author writes in his introduction, "In Night it is the 'I' who speaks; in the other two [narratives], it is the 'I' who listens and questions."Wiesel's trilogy offers meditations on mankind's attraction to violence and on temptation of self-destruction.
Examines the two-thousand-year relationship between Christianity and Judaism, examining the long entrenched tradition of anti-Semitism that culminated in the Church's failure to protest the Holocaust during World War II.
The story of Judaism is a story of paradox. It is the story of how a small cluster of desert tribes gave birth to a monotheistic doctrine that profoundly shaped the history of human civilization. It is the story of how that initially obscure desert doctrine came to be codified into the Hebrew Bible, one of the world's greatest works of literature. It is the story of how a small minority came to be viewed by the majority as disproportionately powerful and, following pogrom and Holocaust, were driven to the edge of extinction. And it is the story of how a displaced people, globally dispersed throughout other nations for two-and-a-half millennia, came to forge a modern, secular Israeli state which many Jews believe to have been granted an explicitly divine mandate. Oliver Leaman carefully and creatively explores the nature of these apparent contradictions. He discusses the origins of the Jewish Bible; recounts the history of the Jewish people from the era of Patriarchs and Prophets through the Middle Ages up to the contemporary era; outlines the Jewish liturgical calendar and its major rites and modes of worship; and, considers the great variety of Jewish literatures (including modern post-Holocaust writers like Primo Levi and Elie Wiesel), art, food and culture. Further chapters examine such topics as mysticism and kabbalah; modern Hebrew; interfaith relations; and, the highly contested question, 'Who is a Jew?'
The Jewish community of Rome is the oldest Jewish community in Europe. It is also the Jewish community with the longest continuous history, having avoided interruptions, expulsions, and annihilations since 139 BCE. For most of that time, Jewish Romans have lived in close contact with the largest continuously functioning international organization: the Roman Catholic Church. Given the church’s origins in Judaism, Jews and Catholics have spent two thousand years negotiating a necessary and paradoxical relationship. With engaging stories that illuminate the history of Jews and Jewish-Catholic relations in Rome, Intimate Strangers investigates the unusual relationship between Jews and Catholics as it has developed from the first century CE to the present in the Eternal City. Fredric Brandfon innovatively frames these relations through an anthropological lens: how the idea and language of family have shaped the self-understanding of both Roman Jews and Catholics. The familial relations are lopsided, the powerful family member often persecuting the weaker one; the church ghettoized the Jews of Rome longer than any other community in Europe. Yet respect and support are also part of the family dynamic—for instance, church members and institutions protected Rome’s Jews during the Nazi occupation—and so the relationship continues.
In 1965 the Second Vatican Council declared that God loves the Jews. Before that, the Church had taught for centuries that Jews were cursed by God and, in the 1940s, mostly kept silent as Jews were slaughtered by the Nazis. How did an institution whose wisdom is said to be unchanging undertake one of the most enormous, yet undiscussed, ideological swings in modern history? The radical shift of Vatican II grew out of a buried history, a theological struggle in Central Europe in the years just before the Holocaust, when a small group of Catholic converts (especially former Jew Johannes Oesterreicher and former Protestant Karl Thieme) fought to keep Nazi racism from entering their newfound church. Through decades of engagement, extending from debates in academic journals, to popular education, to lobbying in the corridors of the Vatican, this unlikely duo overcame the most problematic aspect of Catholic history. Their success came not through appeals to morality but rather from a rediscovery of neglected portions of scripture. From Enemy to Brother illuminates the baffling silence of the Catholic Church during the Holocaust, showing how the ancient teaching of deicide--according to which the Jews were condemned to suffer until they turned to Christ--constituted the Church's only language to talk about the Jews. As he explores the process of theological change, John Connelly moves from the speechless Vatican to those Catholics who endeavored to find a new language to speak to the Jews on the eve of, and in the shadow of, the Holocaust.
Did Muslims and Jews in the Middle Ages cohabit in a peaceful "interfaith utopia"? Or were Jews under Muslim rule persecuted, much as they were in Christian lands? Rejecting both polemically charged ideas as myths, Mark Cohen offers a systematic comparison of Jewish life in medieval Islam and Christendom--and the first in-depth explanation of why medieval Islamic-Jewish relations, though not utopic, were less confrontational and violent than those between Christians and Jews in the West. Under Crescent and Cross has been translated into Turkish, Hebrew, German, Arabic, French, and Spanish, and its historic message continues to be relevant across continents and time. This updated edition, which contains an important new introduction and afterword by the author, serves as a great companion to the original.
This text examines Christian ethnographic writing about the Jews in early modern Europe, offering a systematic historical analysis of this literary genre and arguing its importance for better understanding both the period in general and Jewish-Christian relations in particular.
This reference is a pioneering work which explores and defines the many factors which characterise the historic and ongoing relationship between the two traditions. From Aaron to Zionism, the editors have brought together over 700 entries--including events, institutions, movements, people, places and publications--contributed by more than 100 internationally renowned scholars. The Dictionary, compiled under the auspices of the Cambridge-based Centre for the Study of Jewish-Christian Relations, offers a focus for the study and understanding of Jewish-Christian relations internationally, both within and between Judaism and Christianity.
This revisionist reading of early anti-judaism offers a richer and more variegated picture than ever before of the Jews and Christians of antiquity.
The evil of the holocaust demands a radical rethink of the traditional Christian understanding of Judaism. This does not mean jettisoning Christianity's deepest convictions in order to make it conform to Judaism. Rather, Richard Harries develops the work of recent Jewish scholarship to discern resonances between central Christian and Jewish beliefs.This thought-provoking book offers fresh approaches to contentious and sensitive issues. A key chapter on the nature of forgiveness is sympathetic to the Jewish charge that Christians talk much too easily about forgiveness.
Timothy P. Jackson argues that the central reasons for the Holocaust were ideological: Nazism's belief in survival of the fittest directly conflicted with Judaic moral monotheism, and this conflict drove the compulsion to annihilate the Jewish people. Identifying these ideological causes provides important context for the continual resurgence of anti-Semitic violence.
The discovery of the Dead Sea Scrolls by a Bedouin goatherd in 1947 transformed our understanding of the Hebrew bible, early Judaism, and the origins of Christianity. Nothing in the modern study of the ancient Mideast can match the fifty-year saga of these documents hidden by a Jewish sect existing before and during the time of Jesus. After years of academic debate and maneuvering as tense as any espionage novel, the Dead Sea Scrolls and fragments are at last available in their entirety, in an established standard English version.The Complete Dead Sea Scrolls in English--the crowning achievement of esteemed biblical scholar Geza Vermes--provides not only reliable, direct access to these intriguing documents but a wealth of scholarly information and an outline of the history surrounding them. Here, for scholars, students, and the fascinated general reader, are the texts which endure as the nonbiblical center of Judeo-Christianity and the foundation of Western literary traditions.
Long regarded as the classic introduction to the teachings of the Talmud, this comprehensive and masterly distillation summarizes the wisdom of the rabbinic sages on the dominant themes of Judaism.
First published in 2004, The Jewish Study Bible is a landmark, one-volume resource tailored especially for the needs of students of the Hebrew Bible. It has won acclaim from readers in all religious traditions.The Jewish Study Bible combines the entire Hebrew Bible - in the celebrated Jewish Publication Society TANAKH Translation - with explanatory notes, introductory materials, and essays by leading biblical scholars on virtually every aspect of the text, the world in which it was written, its interpretation, and its role in Jewish life. The quality of scholarship, easy-to-navigate format, and vibrant supplementary features bring the ancient text to life. This second edition includes revised annotations for nearly the entire Bible, as well as forty new and updated essays on many of the issues in Jewish interpretation, Jewish worship in the biblical and post-biblical periods, and the growing influence of the Hebrew Bible in the ancient world.The Jewish Study Bible, Second Edition, is an essential resource for anyone interested in the Hebrew Bible.
The Essential Talmud
A sweeping history of Judaism over more than three millennia Judaism is one of the oldest religions in the world, and it has preserved its distinctive identity despite the extraordinarily diverse forms and beliefs it has embodied over the course of more than three millennia. A History of Judaism provides the first truly comprehensive look in one volume at how this great religion came to be, how it has evolved from one age to the next, and how its various strains, sects, and traditions have related to each other. In this magisterial and elegantly written book, Martin Goodman takes readers from Judaism's origins in the polytheistic world of the second and first millennia BCE to the temple cult at the time of Jesus. He tells the stories of the rabbis, mystics, and messiahs of the medieval and early modern periods and guides us through the many varieties of Judaism today. Goodman's compelling narrative spans the globe, from the Middle East, Europe, and America to North Africa, China, and India. He explains the institutions and ideas on which all forms of Judaism are based, and masterfully weaves together the different threads of doctrinal and philosophical debate that run throughout its history. A History of Judaism is a spellbinding chronicle of a vibrant and multifaceted religious tradition that has shaped the spiritual heritage of humankind like no other.
In Souls on Fire: Portraits and Legends of Hasidic Masters, Elie Wiesel reenters, like an impassioned pilgrim, the universe of Hasidism. "When I am asked about my Jewish affiliation, I define myself as a Hasid," writes the author. "Hasid I was, Hasid I remain." Yet Souls on Fire is not a simple chronological history of Hasidism, nor is it a comprehensive book on its subject. Rather, Elie Wiesel has captured the essence of Hasidism through tales, legends, parables, sayings, and deeply personal reflections. His book is a testimony, not a study. Hasidism is revealed from within and not analyzed from the outside.
"Ellen Frankel, folklorist, writer, scholar, has written the book that lets the Torah speak to women and that welcomes women into its sacred pages. In The Five Books of Miriam, she helps us discover the stories, conflicts, and dreams of the many women - named and nameless - who populate the biblical landscape. Building on the centuries-old tradition of Jewish commentary, Frankel expands the conversation about what the Torah means to women. The Five Books of Miriam includes folktales and folklore, homespun wisdom, Yiddish lore, songs, midrash, modern scholarship, and feminist criticism."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
One of England's foremost religious commentators, the author of Beginning the World explores the evolution of the idea and experience of God, from Abraham to the present.
T. M. Rudavsky presents a new account of the development of Jewish philosophy from the tenth century to Spinoza in the seventeenth, viewed as part of an ongoing dialogue with medieval Christian and Islamic thought. Her aim is to provide a broad historical survey of major figures and schools within the medieval Jewish tradition, focusing on the tensions between Judaism and rational thought. This is reflected in particular philosophical controversies across a wide range of issues in metaphysics, language, cosmology, and philosophical theology. The book illuminates our understanding of medieval thought by offering a much richer view of the Jewish philosophical tradition, informed by the considerable recent research that has been done in this area.
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