It's Holy Week in the small town of Las Penas, New Mexico, and thirty-three-year-old unemployed Amadeo Padilla has been given the part of Jesus in the Good Friday procession. He is preparing feverishly for this role when his fifteen-year-old daughter Angel shows up pregnant on his doorstep and disrupts his plans for personal redemption. With weeks to go until her due date, tough, ebullient Angel has fled her mother's house, setting her life on a startling new path. Vivid, tender, funny, and beautifully rendered, The Five Wounds spans the baby's first year as five generations of the Padilla family converge: Amadeo's mother, Yolanda, reeling from a recent discovery; Angel's mother, Marissa, whom Angel isn't speaking to; and disapproving Tíve, Yolanda's uncle and keeper of the family's history. Each brings expectations that Amadeo, who often solves his problems with a beer in his hand, doesn't think he can live up to. The Five Wounds is a miraculous debut novel from a writer whose stories have been hailed as "legitimate masterpieces" (New York Times). Kirstin Valdez Quade conjures characters that will linger long after the final page, bringing to life their struggles to parent children they may not be equipped to save.
Kali Fajardo-Anstine's magnetic story collection breathes life into her Indigenous Latina characters and the land they inhabit. Set against the remarkable backdrop of Denver, Colorado-a place that is as fierce as it is exquisite-these women navigate the land the way they navigate their lives- with caution, grace, and quiet force. In "Sugar Babies," ancestry and heritage are hidden inside the earth, but have the tendency to ascend during land disputes. "Any Further West" follows a sex worker and her daughter as they leave their ancestral home in southern Colorado only to find a foreign and hostile land in California. In "Tomi," a woman returns home from prison, finding herself in a gentrified city that is a shadow of the one she remembers from her childhood. And in the title story, "Sabrina & Corina," a Denver family falls into a cycle of violence against women, coming together only through ritual. Sabrina & Corina is a moving narrative of unrelenting feminine power and an exploration of the universal experiences of abandonment, heritage, and an eternal sense of home.
From the author of The House on Mango Street, a richly illustrated compilation of true stories and nonfiction pieces that, taken together, form a jigsaw autobiography--an intimate album of a beloved literary legend. From the Chicago neighborhoods where she grew up and set her groundbreaking The House on Mango Street to her abode in Mexico in a region where "my ancestors lived for centuries," the places Sandra Cisneros has lived have provided inspiration for her now-classic works of fiction and poetry. But a house of her own, where she could truly take root, has eluded her. With this collection--spanning three decades, and including never-before-published work--Cisneros has come home at last. Ranging from the private (her parents' loving and tempestuous marriage) to the political (a rallying cry for one woman's liberty in Sarajevo) to the literary (a tribute to Marguerite Duras), and written with her trademark lyricism, these signature pieces recall transformative memories as well as reveal her defining artistic and intellectual influences. Poignant, honest, deeply moving, this is an exuberant celebration of a life in writing lived to the fullest.
Finalist for the National Book Award for Fiction "[These stories] vibrate with originality, queerness, sensuality and the strange."--Roxane Gay "In these formally brilliant and emotionally charged tales, Machado gives literal shape to women's memories and hunger and desire. I couldn't put it down."--Karen Russell In Her Body and Other Parties, Carmen Maria Machado blithely demolishes the arbitrary borders between psychological realism and science fiction, comedy and horror, fantasy and fabulism. While her work has earned her comparisons to Karen Russell and Kelly Link, she has a voice that is all her own. In this electric and provocative debut, Machado bends genre to shape startling narratives that map the realities of women's lives and the violence visited upon their bodies. A wife refuses her husband's entreaties to remove the green ribbon from around her neck. A woman recounts her sexual encounters as a plague slowly consumes humanity. A salesclerk in a mall makes a horrifying discovery within the seams of the store's prom dresses. One woman's surgery-induced weight loss results in an unwanted houseguest. And in the bravura novella "Especially Heinous," Machado reimagines every episode of Law & Order: Special Victims Unit, a show we naïvely assumed had shown it all, generating a phantasmagoric police procedural full of doppelgängers, ghosts, and girls with bells for eyes. Earthy and otherworldly, antic and sexy, queer and caustic, comic and deadly serious, Her Body and Other Parties swings from horrific violence to the most exquisite sentiment. In their explosive originality, these stories enlarge the possibilities of contemporary fiction.
"There was an old man who dwelt in the land of New Mexico, and he lost his wife." From that opening line, this tender novella is at once universal and deeply personal. The nameless narrator, a writer, shares his most intimate thoughts about his wife, their life together, and her death. But just as death is inseparable from life, his wife seems still to be with him. Her memory and words permeate his days. In The Old Man's Love Story, master storyteller Rudolfo Anaya crafts the tale of a lifelong love that ultimately transcends death. An elegy not just for the dead but for the vitality of youth, the old man's story captures both the heartaches and ironies of old age. We follow him as he proceeds through days of grief and memory, buying his few groceries, driving slower than the other travelers on the road. He talks with his wife along the way. "Go slow," he hears her admonish. As he sits in the garden with their dogs, he senses her worry over his loneliness. A year passes. He longs to care for someone, but--to love again? Like characters in Anaya's previous fiction, the old man lives in a real New Mexico, but one inhabited by spirits. Death provides a gateway to other worlds, just as memories connect him to other times and places. When he eventually begins a new friendship with a woman, a widow, they share a bittersweet understanding of joy mixed with sorrow, promise mixed with loss. Anaya's reflections, as shared through the experiences of this old man, point to the power and importance of love at every stage of life. Lyrical and earthy, sad yet suffused with humor, The Old Man's Love Story will speak to all readers, perhaps especially to those who have suffered a recent loss.
Mexico City, 1988: Long before iTunes or MP3s, you said "I love you" with a mixtape. Meche, awkward and fifteen, has two equally unhip friends - Sebastian and Daniela - and a whole lot of vinyl records to keep her company. When she discovers how to cast spells using music, the future looks brighter for the trio. The three friends will piece together their broken families, change their status as non-entities, and maybe even find love... Mexico City, 2009: Two decades after abandoning the metropolis, Meche returns for her estranged father's funeral. It's hard enough to cope with her family, but then she runs into Sebastian, reviving memories from her childhood she thought she buried a long time ago. What really happened back then? What precipitated the bitter falling out with her father? Is there any magic left?
A REESE'S BOOK CLUB PICK and INSTANT NEW YORK TIMES BESTSELLER WINNER OF THE 2021 NEW AMERICAN VOICES AWARD, LONGLISTED FOR THE 2022 ANDREW CARNEGIE MEDAL, AND A NATIONAL ENDOWMENT OF THE ARTS "BIG READS" SELECTION "A profound, beautiful novel." --People * "Poignant." --BuzzFeed * "A breathtaking story of the unimaginable prices paid for a better life." --Esquire This "heartbreaking portrait of a family dealing with the realities of migration and separation" (Time) is "a sweeping love story and tragic drama [and] an authentic vision of what the American Dream looks like in a nationalistic country" (Elle). I often wonder if we are living the wrong life in the wrong country. Talia is being held at a correctional facility for adolescent girls in the forested mountains of Colombia after committing an impulsive act of violence that may or may not have been warranted. She urgently needs to get out and get back home to Bogotá, where her father and a plane ticket to the United States are waiting for her. If she misses her flight, she might also miss her chance to finally be reunited with her family. How this family came to occupy two different countries, two different worlds, comes into focus like twists of a kaleidoscope. We see Talia's parents, Mauro and Elena, fall in love in a market stall as teenagers against a backdrop of civil war and social unrest. We see them leave Bogotá with their firstborn, Karina, in pursuit of safety and opportunity in the United States on a temporary visa, and we see the births of two more children, Nando and Talia, on American soil. We witness the decisions and indecisions that lead to Mauro's deportation and the family's splintering--the costs they've all been living with ever since. Award-winning, internationally acclaimed author Patricia Engel, herself a dual citizen and the daughter of Colombian immigrants, gives voice to all five family members as they navigate the particulars of their respective circumstances. Rich with Bogotá urban life, steeped in Andean myth, and tense with the daily reality of the undocumented in America, Infinite Country "is as much an all-American story as it is a global one" (Booklist, starred review).
INTERNATIONAL BESTSELLER * Earthy, magical, and utterly charming, this tale of family life in turn-of-the-century Mexico blends poignant romance, bittersweet wit, and delicious recipes. This classic love story takes place on the De la Garza ranch, as the tyrannical owner, Mama Elena, chops onions at the kitchen table in her final days of pregnancy. While still in her mother's womb, her daughter to be weeps so violently she causes an early labor, and little Tita slips out amid the spices and fixings for noodle soup. This early encounter with food soon becomes a way of life, and Tita grows up to be a master chef, using cooking to express herself and sharing recipes with readers along the way.
In 1977 Uruguay, a military government crushed political dissent with ruthless force. In this environment, where the everyday rights of people are under attack, homosexuality is a dangerous transgression to be punished. And yet Romina, Flaca, Anita "La Venus," Paz, and Malena—five cantoras, women who "sing"—somehow, miraculously, find one another. Together, they discover an isolated, nearly uninhabited cape, Cabo Polonio, which they claim as their secret sanctuary. Over the next thirty-five years, their lives move back and forth between Cabo Polonio and Montevideo, the city they call home, as they return, sometimes together, sometimes in pairs, with lovers in tow, or alone. And throughout, again and again, the women will be tested—by their families, lovers, society, and one another—as they fight to live authentic lives.
Uno de los 10 libros del año del New York Times Book Review Cuatro académicos tras la pista de un enigmático escritor alemán; un periodista de Nueva York en su primer trabajo en México; un filósofo viudo; un detective de policía enamorado de una esquiva mujer --estos son algunos de los personajes arrastrados hasta la ciudad fronteriza de Santa Teresa, donde en la última década han desaparecido cientos de mujeres. Publicada póstumamente, la última novela de Roberto Bolaño no sólo es su mejor obra y una de las mejores del siglo XXI, sino uno de esos excepcionales libros que trascienden a su autor y a su época para formar parte de la literatura universal. ENGLISH DESCRIPTION A NATIONAL BOOK CRITICS CIRCLE AWARD WINNER New York Times Book Review 10 Best Books of 2008 Time Magazine's Best Book of 2008 Los Angeles Times Best Books of 2008 San Francisco Chronicle's 50 Best Fiction Books of 2008 Seattle Times Best Books of 2008 New York Magazine Top Ten Books of 2008 Three academics on the trail of a reclusive German author; a New York reporter on his first Mexican assignment; a widowed philosopher; a police detective in love with an elusive older woman--these are among the searchers drawn to the border city of Santa Teresa, where over the course of a decade hundreds of women have disappeared. In the words of The Washington Post, "With 2666, Roberto Bolaño joins the ambitious overachievers of the twentieth-century novel, those like Proust, Musil, Joyce, Gaddis, Pynchon, Fuentes, and Vollmann, who push the novel far past its conventional size and scope to encompass an entire era, deploying encyclopedic knowledge and stylistic verve to offer a grand, if sometimes idiosyncratic, summation of their culture and the novelist's place in it. Bolaño has joined the immortals."
As through a crack in the wall,By Night in Chile's single night-long rant provides a terrifying, clandestine view of the strange bedfellows of Church and State in Chile. This wild, eerily compact novel--Roberto Bolano's first work available in English--recounts the tale of a poor boy who wanted to be a poet, but ends up a half-hearted Jesuit priest and a conservative literary critic, a sort of lap dog to the rich and powerful cultural elite, in whose villas he encounters Pablo Neruda and Ernst Junger. Father Urrutia is offered a tour of Europe by agents of Opus Dei (to study "the disintegration of the churches," a journey into realms of the surreal); and ensnared by this plum, he is next assigned--after the destruction of Allende--the secret, never-to-be-disclosed job of teaching Pinochet, at night, all about Marxism, so the junta generals can know their enemy. Soon, searingly, his memories go from bad to worse. Heart-stopping and hypnotic,By Night in Chile marks the American debut of an astonishing writer.
FINALIST FOR THE NATIONAL BOOK AWARD A finalist for both the National Book Award and the National Book Critics Circle Award, Bright Dead Things examines the dangerous thrill of living in a world you must leave one day and the search to find something that is "disorderly, and marvelous, and ours." A book of bravado and introspection, of feminist swagger and harrowing loss, this fourth collection considers how we build our identities out of place and human contact--tracing in intimate detail the ways the speaker's sense of self both shifts and perseveres as she moves from New York City to rural Kentucky, loses a dear parent, ages past the capriciousness of youth, and falls in love. Ada Limón has often been a poet who wears her heart on her sleeve, but in these extraordinary poems that heart becomes a "huge beating genius machine" striving to embrace and understand the fullness of the present moment. "I am beautiful. I am full of love. I am dying," the poet writes. Building on the legacies of forebears such as Frank O'Hara, Sharon Olds, and Mark Doty, Limón's work is consistently generous, accessible, and "effortlessly lyrical" (New York Times)--though every observed moment feels complexly thought, felt, and lived.
ALibrary JournalBest Book Vargas Llosa's vivid historical portrait of a regime of fear and its aftermath It is 1961. The Dominican Republic languishes under economic sanctions; the Catholic church spurs its clergy against the government; from its highest ranks down, the country is arrested in bone-chilling fear. InThe Feast of the GoatVargas Llosa unflinchingly tells the story of a regime's final days and the unsteady efforts of the men who would replace it. His narrative skates between the rituals of the hated dictator, Rafael Trujillo, in his daily routine, and the laying-in-wait of the assasins who will kill him; their initial triumph; and the shock of fear's release--and replacements. In the novel's final chapters we learn Urania Cabral's story, self-imposed exile whose father was Trujillo's cowardly Secretary of State. Drawn back to the country of her birth from 30 years after Trujillo's assasination, the widening scope of the dictator's cruelty finds expression in her story, and a rapt audience in her extended family. InThe Feast of the Goat, Vargas Llosa weighs the burden of a corrupt and corruptive regime upon the people who live beneath it. This is a moving portrait of an unrepentant dictator and the unwilling citizens drawn into his orbit.
The first-ever collection of short stories by Jaime Cortez, Gordo is set in a migrant workers camp near Watsonville, California in the 1970s. A young, probably gay, boy named Gordo puts on a wrestler’s mask and throws fists with a boy in the neighborhood, fighting his own tears as he tries to grow into the idea of manhood so imposed on him by his father. As he comes of age, Gordo learns about sex, watches his father’s drunken fights, and discovers even his own documented Mexican-American parents are wary of illegal migrants. Fat Cookie, high schooler and resident artist, uses tiny library pencils to draw huge murals of graffiti flowers along the camp’s blank walls, the words “CHICANO POWER” boldly lettered across, until she runs away from home one day with her mother’s boyfriend, Manny, and steals her mother’s Panasonic radio for a final dance competition among the camp kids before she disappears. And then there are Los Tigres, the perfect pair of twins so dark they look like indios, Pepito and Manuel, who show up at Gyrich Farms every season without fail. Los Tigres, champion drinkers, end up assaulting each other in a drunken brawl, until one of them is rushed to the emergency room still slumped in an upholstered chair tied to the back of a pick-up truck.
Alejandro Zambra'sWays of Going Homebegins with an earthquake, seen through the eyes of an unnamed nine-year-old boy who lives in an undistinguished middleclass housing development in a suburb of Santiago, Chile. When the neighbors camp out overnight, the protagonist gets his first glimpse of Claudia, an older girl who asks him to spy on her uncle Raúl. In the second section, the protagonist is the writer of the story begun in the first section. His father is a man of few words who claims to be apolitical but who quietly sympathized--to what degree, the author isn't sure--with the Pinochet regime. His reflections on the progress of the novel and on his own life--which is strikingly similar to the life of his novel's protagonist--expose the raw suture of fiction and reality. Ways of Going Home switches between author and character, past and present, reflecting with melancholy and rage on the history of a nation and on a generation born too late--the generation which, as the author-narrator puts it, learned to read and write while their parents became accomplices or victims. It is the most personal novel to date from Zambra, the most important Chilean author since Roberto Bolaño.
In 1955, Garcia Marquez was working for El Espectador, a newspaper in Bogota, when in February of that year eight crew members of the Caldas, a Colombian destroyer, were washed overboard and disappeared. Ten days later one of them turned up, barely alive, on a deserted beach in northern Colombia. This book, which originally appeared as a series of newspaper articles, is Garcia Marquez's account of that sailor's ordeal. Translated by Randolf Hogan.
A best seller and critical success all over the world, The House of the Spirits is the magnificent epic of the Trueba family -- their loves, their ambitions, their spiritual quests, their relations with one another, and their participation in the history of their times, a history that becomes destiny and overtakes them all. We begin -- at the turn of the century, in an unnamed South American country -- in the childhood home of the woman who will be the mother and grandmother of the clan, Clara del Valle. A warm-hearted, hypersensitive girl, Clara has distinguished herself from an early age with her telepathic abilities -- she can read fortunes, make objects move as if they had lives of their own, and predict the future. Following the mysterious death of her sister, the fabled Rosa the Beautiful, Clara has been mute for nine years, resisting all attempts to make her speak. When she breaks her silence, it is to announce that she will be married soon. Her husband-to-be is Esteban Trueba, a stern, willful man, given to fits of rage and haunted by a profound loneliness.
La azarosa historia de una esclava en el Santo Domingo del siglo XVIII que logrará librarse de los estigmas que la sociedad le ha impuesto para conseguir la libertad. Para ser una esclava en el Saint-Domingue de finales del siglo XVIII, Zarité había tenido buena estrella: a los nueve años fue vendida a Toulouse Valmorain, un rico terrateniente, pero no conoció ni el agotamiento de las plantaciones de caña ni la asfixia y el sufrimiento de los trapiches, porque siempre fue una esclava doméstica. Su bondad natural, fortaleza de espíritu y honradez le permitieron compartir los secretos y la espiritualidad que ayudaban a sobrevivir a los suyos, los esclavos, y conocer las miserias de los amos, los blancos. Zarité se convirtió en el centro de un microcosmos que era un reflejo del mundo de la colonia: el amo Valmorain, su frágil esposa española y su sensible hijo Maurice, el sabio Parmentier, el militar Relais y la cortesana mulata Violette, Tante Rose, la curandera, Gambo, el apuesto esclavo rebelde# y otros personajes de una cruel conflagración que acabaría arrasando su tierra y lanzándolos lejos de ella. Al ser llevada por su amo a Nueva Orleans, Zarité inició una nueva etapa en la que alcanzaría su mayor aspiración: la libertad. Más allá del dolor y del amor, de la sumisión y la independencia, de sus deseos y los que le habían impuesto a lo largo de su vida, Zarité podía contemplarla con serenidad y concluir que había tenido buena estrella. «En mis cuarenta años, yo, Zarité Sedella, he tenido mejor suerte que otras esclavas. Voy a vivir largamente y mi vejez será contenta porque mi estrella -mi z'etoile- brilla también cuando la noche está nublada. Conozco el gusto de estar con el hombre escogido por mi corazón cuando sus manos grandes me despiertan la piel. He tenido cuatro hijos y un nieto, y los que están vivos son libres. Mi primer recuerdo de felicidad, cuando era una mocosa huesuda y desgreñada, es moverme al son de los tambores y ésa es también mi más reciente felicidad, porque anoche estuve en la plaza del Congo bailando y bailando, sin pensamientos en la cabeza, y hoy mi cuerpo está caliente y cansado.» ENGLISH DESCRIPTION From the sugar plantations of Saint-Domingue to the lavish parlors of New Orleans at the turn of the 19th century, the latest novel from New York Times bestselling author Isabel Allende (Inés of My Soul, The House of the Spirits, Portrait in Sepia) tells the story of a mulatta woman, a slave and concubine, determined to take control of her own destiny. Born a slave on the island of Saint-Domingue, Zarité--known as Tété--is the daughter of an African mother she never knew and one of the white sailors who brought her into bondage. Tété surivves a childhood of brutality and fear, finding solace in the traditional rhythms of African drums and in her exhilarating initiation into the mysteries of voodoo. When twenty-year-old Toulouse Valmorain arrives on the island in 1770, he discovers that running his father's plantation, Saint Lazare, is neither glamorous nor easy. Marriage also proves problematic when, eight years later, he brings home a bride. But it is his teenaged slave Tété who becomes Valmorain's most inportant confindant. A heartwrenching and powerful story story of an extraordinary woman who forges her identity and finds love and freedom under the cruelest of circumstances. Isabelle Allende has done it again. "Allende is a master storyteller at the peak of her powers." -- Los Angeles Times
En estas páginas están registrados los pasos que han dejado huella en la historia de México. Los pasos inciertos de quienes lo poblaron y los pasos también inciertos de quienes atraviesan la crisis del último decenio. Entre éstos y aquéllos, el lector sigue paso a paso los que se dieron en la era virreinal, el periodo formativo, el tramo moderno, la revolución y los que condujeron a la "estabilidad política y al avance económico". Esta obra fue orquestada por Daniel Cosío Villegas y ejecutada, además de por él mismo, por Ignacio Bernal, Eduardo Blanquel, Luis González y Alejandra Moreno Toscano. A este quinteto se agrega ahora otro intérprete: Lorenzo Meyer.
Isabel Allende, una de las autoras más respetadas de la lengua española, nos trae una magistral novela que narra la vida de Inés Suárez, una temeraria conquistadora que contribuyó a la fundación de la patria chilena. Nacida en España, y proveniente de una familia pobre, Inés Suárez sobrevive a diario trabajando como costurera. Es el siglo dieciséis, y la conquista de América apenas comienza. Cuando un día el esposo de Inés desaparece rumbo al Nuevo Mundo, ella aprovecha para partir en busca de él y escapar de la vida claustrofóbica que lleva en su tierra natal. Tras el accidentado viaje que la lleva hasta el Perú, Inés se entera de que su esposo ha muerto en una batalla. Sin embargo, muy pronto da inicio a una apasionada relación amorosa con el hombre que cambiará su vida por completo: Pedro de Valdivia, el valiente héroe de guerra y mariscal de Francisco Pizarro. Valdivia sueña con triunfar donde otros españoles han fracasado, y lleva a cabo la conquista de Chile. Aunque se dice que en aquellas tierras no hay oro, y que los guerreros son feroces, esto inspira a Valdivia aun más ya que lo que busca es el honor y la gloria. Juntos, los amantes fundarán la ciudad de Santiago y liberarán una guerra sangrienta contra los indígenas chilenos en una lucha que cambiará sus vidas para siempre. Basada en una investigación meticulosa, y contada con la pasión y el talento narrativo de Isabel Allende, Inés del Alma Mía es una obra de impresionante magnitud.
The role and impact of cross-cultural migrations in the modern age Comunidad, pertenencia, extranjería desvela el papel central que tuvo la migración laboral y mercantil de la región del Mar del Norte en el virreinato de la Nueva España durante un periodo crítico de la formación de las sociedades coloniales. Lejos de ser una migración marginal, como hasta ahora se ha creído, la presencia de migrantes septentrionales fue estratégica para la expansión y el mantenimiento de la monarquía hispánica por su aporte de mano de obra, de conocimientos tecnológicos, de redes comerciales y de capital transnacional. A partir del análisis transversal del impacto de esta migración en la sociedad, la política y la economía novohispana, este trabajo muestra como es imposible contar la historia del imperio español sin tomar en cuenta el papel que los europeos no españoles tuvieron en su formación y evolución. Comunidad, pertenencia, extranjería reveals the central role played by labour and mercantile migration from the North Sea region in the Viceroyalty of New Spain during a critical period in the formation of colonial societies. Far from being a marginal migration, as has been believed until now, the presence of northern migrants was strategic for the expansion and maintenance of the Hispanic monarchy due to their contribution of labour, technological knowledge, commercial networks, and transnational capital. From the cross-sectional analysis of the impact of this migration on the society, politics, and economy of New Spain, this work shows how it is impossible to tell the story of the Spanish empire without taking into account the role that non-Spanish Europeans played in its formation and evolution. Free ebook available at OAPEN Library, JSTOR, Project Muse, and Open Research Library
Este libro ha querido poner de relieve ese cruce de caminos, interrogar ese lugar pleno de diversidades. Como resultado de un proceso consciente, se ofrecen diez ensayos escritos por autores provenientes de las instituciones universitarias más destacadas de la región que abordan, en primera instancia, la historiografía del diseño —en un sentido amplio— en México, Venezuela, Colombia, Chile, Brasil y Argentina.
La vida y la obra de Mercedes Olivera están definidas por su carácter revolucionario, por un pensamiento y un quehacer incesante en el cuestionamiento de las relaciones de poder, sobre todo de género, institucionalizadas, normalizadas y naturalizadas. Una de las grandes intelectuales públicas de Nuestra América, destaca por su trayectoria congruente y abrazadora, siempre luchando por introducir un futuro otro, por mover el horizonte intelectual y político hacia un umbral situado en la distancia más desafiante para conseguir que las cosas no queden en el opresivo presente y se acerquen al mejor mundo posible. Los trabajos reunidos en esta antología, en una apuesta por Centroamérica, en sus propuestas investigativas colaborativas y de defensa participativa de las mujeres que viven violencia, son el testimonio de los caminos críticos y reflexivos de una intelectual-política cuyas búsquedas como antropóloga y activista feminista han tenido entre sus objetivos producir conocimientos, explicar y cambiar la realidad. Los principales ejes de su quehacer y su pensamiento han sido las revoluciones latinoamericanas, la recuperación de los saberes indígenas y de las lenguas mayas, la defensa de la propiedad colectiva, los alegatos a favor del derecho a la tierra para las mujeres y al territorio, la exposición de las causas estructurales de la violencia de género y, en general, la reivindicación del derecho, la libertad, la justicia y el sentido humano.
El 22 de noviembre de 1963, tres disparos resonaron en Dallas. Murió el presidente Kennedy, y el mundo cambió. ¿Qué harías tú si pudieras impedirlo? En esta brillante novela, Stephen King acompaña al lector en un viaje maravilloso al pasado y en un intento de cambiar lo que pasó, ofreciéndonos un impecable retrato social, político y cultural del final de los años cincuenta y principios de los sesenta: un mundo marcado por enormes coches, Elvis Presley y el constante humo de cigarrillo. Todo empieza con Jake Epping, un profesor de inglés que se gana un sueldo extra con clases nocturnas para adultos. Un día pide a sus estudiantes que escriban sobre un acontecimiento que les haya cambiado la vida, y una de esas redacciones le impacta profundamente: la historia de una noche de hace cincuenta años cuando el padre de su alumno Harry Dunning volvió a casa para matar a su familia. Poco después su amigo Al, propietario de un restaurante en su barrio, le descubre un increíble secreto: en el almacén del restaurante hay una puerta que conduce al pasado. Y Al pide a Jake que le ayude con una misión que le obsesiona: impedir el asesinato del Presidente John F. Kennedy. Y así comienza la nueva vida de Jake en un mundo muy diferente. En él, Jake se enamorará mientras sigue el rastro de Lee Harvey Oswald hacia ese crucial momento histórico. Un viaje al pasado nunca ha sido tan creíble, ni tan terrorífico.
Este libro es una excelente contribution al conocimiento del marxismo latinoamericano, como conjunto de reflexiones teoricas compro-metidas con las clases subalternas y las luchas populares. Los autores discutidos por Fabián Cabaluz y Tomas Torres son muy distintos, por su origen nacional, sus enfoques temáticos, sus orientaciones politicas: René Zavaleta Mercado, Alvaro García Linera, Anfbal Quijano y Enrique Dussel. Con todo, como lo demues- tran estos ensayos, son parte de un marxismo latinoamericano heterodoxo, herético, anti dogmático, que intenta crear conceptos y herramientas intelectuales nuevas para entender América Latina - en oposición a un otro tipo de marxismo, que solo busca aplicar los modelos teoricos y politicos formulados por el Comintern, o por la URSS estalinista.
"¿Qué hago yo encaramado en esta percha de honor, yo que siempre he considerado los discursos como el más terrorífico de los compromisos humanos?" --Gabriel García Márquez nbsp; Los textos que Gabriel García Márquez ha reunido en este libro fueron escritos por el autor con la intención de ser leídos por él mismo en público, ante una audiencia, y recorren prácticamente toda su vida, desde el primero, que escribe a los diecisiete años para despedir a sus compañeros del curso superior en Zipaquirá, hasta el que lee ante las Academias de la Lengua y los reyes de España al cumplir ochenta años. nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp; Estos discursos del premio Nobel nos ayudan a comprender más profundamente su vida y nos desvelan sus obsesiones fundamentales como escritor y ciudadano: su fervorosa vocación por la literatura, la pasión por el periodismo, su inquietud ante el desastre ecológico que se avecina, su propuesta de simplificar la gramática, los problemas de su tierra colombiana o el recuerdo emocionado de amigos escritores como Julio Cortázar o Álvaro Mutis, entre otros muchos. nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp; El lector tiene entra sus manos el complemento indispensable a una obra narrativa que nos seguirá hablando en un largo porvenir. **** "What am I doing here on this perch of honor, when I have always considered speeches the most terrifying of human obligations?" nbsp; The speeches that Gabriel García Márquez has gathered in this collection were written by the author with the intention of being read by him before an audience, and span the course of nearly his entire life; from the first, a farewell written at seventeen to his fellow students at Zipaquirá, to his appearance before the Spanish-language Academies and the kings of Spain on his eightieth birthday. Combined, these speeches provide a more profound understanding of the life of this Nobel Prize winner, revealing his fundamental creative and civil obsessions: his intense aptitude for literature and writing; his passion for journalism; his concerns over looming environmental dangers; his proposal for the simplification of grammar; the problems facing his beloved Colombian homeland; and the loving memory of fellow writers like Julio Cortázar and Álvaro Mutis, among many others. In Yo no vengo a decir un discurso (I did not come to give a speech), the reader holds in his/her hands the essential complement to a body of work that will continue speaking to us for a long time to come.
Nicaragua es un símbolo. Y no cualquier clase de símbolo: es un símbolo revolucionario. Si Cuba demostró en 1959 que una revolución en Nuestra América era posible, Nicaragua lo ratificó veinte años más tarde. Por eso, la crisis que atraviesa Nicaragua desde 2018 obliga a la izquierda a posicionarse. Cuando proyectamos este libro no faltó quien cuestionara el proyecto, considerando vergonzoso proponer un análisis en lugar de ofrecer apoyo en las trincheras donde, a diario, morían jóvenes nicaragüenses. ¿Cabía pensar en un libro frente a este panorama? La respuesta es afirmativa. Este proyecto editorial -impulsado por el Grupo de Trabajo el Istmo Centroamericano- es un compromiso y un reto. El compromiso de pensar las realidades políticas, sociales, económicas y culturales de Centroamérica de manera colectiva, en perspectiva regional y con una mirada interdisciplinaria. El reto de revisar críticamente el proceso abierto por la Revolución, sus despliegues y desvíos, sus aciertos y controversias, el papel de Daniel Ortega y la responsabilidad de su gobierno en los acontecimientos recientes.
Las contribuciones reunidas en este volumen buscan dar un paso en el esfuerzo por exami-nar las condiciones y problemas que han rodeado y rodean la producción, circulación y usos del libro en un país poco conocedor de su historia libresca y editorial. Los textos reconstruyen diversos momentos en el desarrollo de una cultura impresa local, que se vio delineada por políticas estatales, movilidades transnacionales y no pocos agentes y producciones que activaron cambios de relevancia dentro del espacio cultural nacional.El libro plantea un recorrido que parte desde el siglo XVI, antes de la llegada de la imprenta al territorio neogranadino, y se extiende hasta los albores del siglo XXI para examinar las nuevas condiciones del mundo del libro. Entre ambas orillas, se analiza el dinamismo tomado por el mundo impreso y sus mediado-res durante el siglo XIX, así como lo ocurrido en el siglo XX, cuando se produjo el momento de mayor modernización editorial y expansión de los grupos lectores colombianos.
Desde diversas perspectivas criticas y anclado igualmente en diversos aparatos teoricos, este libro reune las contribuciones de ocho destacados criticos: Ignacio M. Sanchez Prado, Ramon Alvarado Ruiz, Gaelle Le Calvez House, Julio Enriquez-Ornelas, Tomas Regalado-Lopez, Hector Jaimes, Rebecca Janzen y Cesar Antonio Sotelo en torno a la obra de Pedro Angel Palou. Asimismo, con textos agudos, sugerentes y definidos por la cercania con el escritor, participan tambien cuatro importantes escritores mexicanos: Monica Lavin, Eloy Urroz, Jorge Volpi y Vicente Alfonso. Por otro lado, el mismo Pedro Angel Palou comienza esta edicion donde nos proporciona un repaso sobre su itinerario intelectual. En suma, se trata de un gran aporte critico sobre la obra de uno de los escritores mexicanos contemporaneos imprescindibles.
Los escritos aquí presentes pueden agruparse desde varias entradas, las cuales no son sino un ordenamiento relativamente arbitrario pero indican, de manera general, el rango de problemas que abordamos. Por un lado trabajamos con temas y problemas de investigación ligados especialmente a la crítica teórico-política del colonialismo. Por otro, se da una discusión de la mano de los feminismos contemporáneos. En otro momento, y en conexión, desde perspectivas críticas y en el marco del Pensamiento Latinoamericano aparecen cuestiones vinculadas a cómo, qué, quiénes y desde dónde preguntamos, en qué contextos y espacialidades, cómo nos vinculamos con ciertos materiales y de qué manera los intervenimos, qué dominios generamos con su manipulación, cómo trabajamos con ellos en relación con eso que llamamos, desde la crítica cultural, práctica-teórica.
Mas que una mirada literaria sobre la obra de Pablo Neruda, este libro del critico e investigador Jaime Concha analiza la produccion del Premio Nobel en funcion de sus relaciones con el proceso historico de la sociedad chilena. En esta nueva vision, que continua y que supera sus estudios anteriores, el autor intenta un analisis historico-social de la obra nerudiana, enmarcandola entre los anos del nacimiento del poeta y del estallido de la guerra civil espanola (1904-1936). Lo arduo de este proposito no solo reside en las dificultades inherentes al genero lirico, sino tambien en las derivadas del hecho que el metodo marxista de investigacion sobre literatura aplicado en este libro singular es todavia una empresa que esta en vias de constitucion, sin desconocer los valiosos aportes ya realizados. Como el autor indica en su nuevo prologo, el libro respondia a un periodo historico muy determinado, casi un lapso bien preciso, situado en torno al Chile de 1970. Hoy aprovecha para hacer algunas revisiones acerca de uno que otro planteamiento.
Este texto propone análisis novedosos de los cuentos de Borges y reevalúa y critica algunos análisis existentes, elaborados por diferentes comentaristas. El tipo de análisis propuesto se haría extensivo a otros cuentos de Borges y a otros autores. Es un texto que se esfuerza por tomar distancia de las interpretaciones existentes que hay sobre la obra de Borges y de proponer nuevas lecturas siguiendo un cierto rigor interpretativo.
Este volumen constituye el inicio de una aventura de perspectivas y posibilidades en los programas de historia del arte de la Universidad de Bogotá Jorge Tadeo Lozano, los cuales permiten formar estudiantes tenaces y capaces de asumir el reto del estudio sobre el objeto artístico, la imagen, la cultura visual y los lugares de la memoria del arte. Es el inicio de una conversación con la historia, que como bien la describe Ernst Gombrich, “es como un queso gruyer, está llena de agujeros". En este sentido, lo interpela Peter Burke: “la historia es como un espejismo, nunca se alcanza, pero es bueno estar orientados por ella, es como vamos a estar más cerca de lograrla" (entrevista a Peter Burke, Berta Ares, 2013). Horizontes culturales de la historia del arte. Aportes para una acción compartida en Colombia da cuenta de reflexiones que van desde las invisibilidades, entendidas como silencios u omisiones en la historia del arte, pasando por las conexiones complejas entre estética e historia del arte, hasta las vicisitudes de su práctica en el museo o lugares alternativos. También examina la memoria del arte como nuevo modo de representación, relectura y construcción de subjetividad. Esta obra aborda temas y aproximaciones pertinentes, necesarios y posibilitadores de respuestas para tomar acciones concretas en el currículo y en los enfoques de estos programas dentro de un ineludible panorama en transformación.
This amazingly brief history of Latin America will delight any reader. Fully informed by the latest scholarship, this cleverly written survey spans six centuries & covers twenty countries. John Charles Chasteen presents a compelling narrative of the Latin American experience, animated by stories about men & women from all walks of life, & enriched by insightful analysis. The famous & not so famous characters of Latin America are here: Cortes, Malinche, Moctezuma, Sister Juana Ines de la Cruz, Bolivar, Father Manuel Hidalgo, Juan & Evita Peron, and, of course, Che Guevara. This is a story of despair & hope, the processes of conquest & colonization, race mixing & class construction, revolution & republic formation, & the elusive quests for sustained economic growth & political & social equality. This beautifully written, concise history will be especially valuable for business & recreational travelers on their way to Latin America.
In November 1519, Hernando Cortes walked along a causeway leading to the capital of the Aztec kingdom and came face to face with Moctezuma. That story - and the story of what happened afterwards - has been told many times, but always following the narrative offered by the Spaniards. After all,we have been taught, it was the Europeans who held the pens. But the Native Americans were intrigued by the Roman alphabet and, unbeknownst to the newcomers, they used it to write detailed histories in their own language of Nahuatl. Until recently, these sources remained obscure, only partiallytranslated, and rarely consulted by scholars.For the first time, in Fifth Sun, the history of the Aztecs is offered in all its complexity based solely on the texts written by the indigenous people themselves. Camilla Townsend presents an accessible and humanized depiction of these native Mexicans, rather than seeing them as the exotic, bloodyfigures of European stereotypes. The conquest, in this work, is neither an apocalyptic moment, nor an origin story launching Mexicans into existence. The Mexica people had a history of their own long before the Europeans arrived and did not simply capitulate to Spanish culture and colonization.Instead, they realigned their political allegiances, accommodated new obligations, adopted new technologies, and endured.This engaging revisionist history of the Aztecs, told through their own words, explores the experience of a once-powerful people facing the trauma of conquest and finding ways to survive, offering an empathetic interpretation for experts and non-specialists alike.
In this empowering cross-country travelogue, journalist and activist Paola Ramos embarks on a journey to find the communities of people defining the controversial term Latinx. She introduces us to the indigenous Oaxacans who rebuilt the main street in a post-industrial town in upstate New York, the “Las Poderosas” who fight for reproductive rights in Texas, the musicians in Milwaukee whose beats reassure others of their belonging, as well as drag queens, environmental activists, farmworkers, and the migrants detained at our border.
Interviews with a Guatemalan national leader discuss her country's political situation and the resulting violence, which has claimed the lives of her brother, mother, and father.
The Latino presence in the Washington, DC, metropolitan area has diverse roots and a rich history. The earlier residents were relatively small in number, but the Latino population increased dramatically in the late 20th century. Today, this unique Latino community is the 12th largest in the nation. While people of Salvadoran origin are the most numerous, this area is also home to those who hail from Mexico, Puerto Rico, Guatemala, Cuba, the Dominican Republic, Bolivia, Argentina, Chile, Colombia, Ecuador, Honduras, Nicaragua, Paraguay, Peru, Spain, Uruguay, and many other nations and cultures. This book highlights the early days of the Hispanic Festival, the Central American peace movement, the struggle for civil and immigrants' rights, and notable residents. With a shared immigrant experience and broad cultural bonds, these and many other Latino residents have transformed the Washington, DC, area.
Overlooking the significance of America's Hispanic past, the United States is typically perceived as an offshoot of Britain, with its history unfolding east to west, beginning with the first settlers in Jamestown. In an absorbing narrative, Felipe Fern?ndez-Armesto begins with the explorers and conquistadors who planted Spain's first colonies in Puerto Rico, Florida and the Southwest in the sixteenth century. Missionaries and rancheros carry Spain's expansive impulse into the late eighteenth century, settling in California, mapping the American interior to the Rockies and charting the Pacific coast. The nineteenth-century triumph of Anglo-America in the West is followed by the twentieth-century Hispanic resurgence, spreading from the West to cities including Chicago, Miami and Boston. Today's plural America is the product of its past.
The current daily experiences of undocumented students as they navigate the processes of entering and then thriving in Jesuit colleges are explored alongside an investigation of the knowledge and attitudes among staff and faculty about undocumented students in their midst, and the institutional response to their presence. Cutting across the fields of U.S. immigration policy, theory and history, religion, law, and education, Undocumented and in College delineates the historical and present-day contexts of immigration, including the role of religious institutions. This unique volume, based on an extensive two-year study (2010-12) of undocumented students at Jesuit colleges in the United States and with contributions from various scholars working within these institutions, incorporates survey research and in-depth interviews to present the perspectives of students, staff, and the institutions.
Beyond Slavery traces the enduring impact and legacy of the African diaspora in Latin America and the Caribbean in the modern era. In a rich set of essays, the volume explores the multiple ways that Africans have affected political, economic, and cultural life throughout the region. Focusing on areas traditionally associated with Afro-Latin American culture such as Brazil and the Caribbean basin, this innovative work also highlights places such as Rio de La Plata and Central America, where the African legacy has been important but little studied. The contributors engage readers interested in the African diaspora in a series of vigorous debates ranging from agency and resistance to transculturation, displacement, cross-national dialogue, and popular culture. Documenting the array of diverse voices of Afro-Latin Americans throughout the region, this interdisciplinary book brings to life both their histories and contemporary experiences. Contributions by: Aviva Chomsky, Dari n J. Davis, Dario Euraque, Sujatha Fernandes, David Geggus, Aline Helg, Ricardo D. Salvatore, Eduardo Silva, Jason Stanyek, Camilla Townsend, Bobby Vaughn, Ben Vinson III, and Judith Michelle Williams
Imagine the tension that existed between the emerging nations and governments throughout the Latin American world and the cultural life of former enslaved Africans and their descendants. A world of cultural production, in the form of literature, poetry, art, music, and eventually film, would often simultaneously contravene or cooperate with the newly established order of Latin American nations negotiating independence and a new political and cultural balance. In Black Writing, Culture, and the State in Latin America, Jerome Branche presents the reader with the complex landscape of art and literature among Afro-Hispanic and Latin artists. Branche and his contributors describe individuals such as Juan Francisco Manzano, who wrote an autobiography on the slave experience in Cuba during the nineteenth century. The reader finds a thriving Afro-Hispanic theatrical presence throughout Latin America and even across the Atlantic. The role of black women in poetry and literature comes to the forefront in the Caribbean, presenting a powerful reminder of the diversity that defines the region. All too often, the disciplines of film studies, literary criticism, and art history ignore the opportunity to collaborate in a dialogue. Branche and his contributors present a unified approach, however, suggesting that cultural production should not be viewed narrowly, especially when studying the achievements of the Afro-Latin world.
Within queer, transgender, and Latinx and Chicanx cultural politics, brown transgender narratives are frequently silenced and erased. Brown trans subjects are treated as deceptive, unnatural, nonexistent, or impossible, their bodies, lives, and material circumstances represented through tropes and used as metaphors. Restoring personhood and agency to these subjects, Francisco J. Galarte advances “brown trans figuration” as a theoretical framework to describe how transness and brownness coexist within the larger queer, trans, and Latinx historical experiences. Brown Trans Figurations presents a collection of representations that reveal the repression of brown trans narratives and make that repression visible and palpable. Galarte examines the violent deaths of two transgender Latinas and the corresponding narratives that emerged about their lives, analyzes the invisibility of brown transmasculinity in Chicana feminist works, and explores how issues such as transgender politics can be imagined as part of Chicanx and Latinx political movements. This book considers the contexts in which brown trans narratives appear, how they circulate, and how they are reproduced in politics, sexual cultures, and racialized economies.
A 2019 Caldecott Honor Book What's in a name? For one little girl, her very long name tells the vibrant story of where she came from -- and who she may one day be. If you ask her, Alma Sofia Esperanza José Pura Candela has way too many names: six! How did such a small person wind up with such a large name? Alma turns to Daddy for an answer and learns of Sofia, the grandmother who loved books and flowers; Esperanza, the great-grandmother who longed to travel; José, the grandfather who was an artist; and other namesakes, too. As she hears the story of her name, Alma starts to think it might be a perfect fit after all -- and realizes that she will one day have her own story to tell. In her author-illustrator debut, Juana Martinez-Neal opens a treasure box of discovery for children who may be curious about their own origin stories or names.
A Time Best YA Book of All Time (2021) A lyrical novel about family and friendship from critically acclaimed author Benjamin Alire Sáenz. Aristotle is an angry teen with a brother in prison. Dante is a know-it-all who has an unusual way of looking at the world. When the two meet at the swimming pool, they seem to have nothing in common. But as the loners start spending time together, they discover that they share a special friendship--the kind that changes lives and lasts a lifetime. And it is through this friendship that Ari and Dante will learn the most important truths about themselves and the kind of people they want to be.
This beautiful Pura Belpré Award-winning picture book is a bilingual ride through the joyous history of Children's Day/El día de los niños. Children's Day/Book Day; El día de los niños/El día de los libros is observed each year on April 30. Founder Pat Mora's jubilant celebration of this day features imaginative text and lively illustrations by award-winning illustrator Rafael López that will turn this bilingual fiesta into a hit for story time! Toon! Toon! The book includes a letter from the author and suggestions for celebrating Children's Day /El día de los niños, making the book perfect for gifting, family celebrations, and classroom sharing.
An Instant New York Times Bestseller! In their first collaboration since the Newbery Medal- and Caldecott Honor-winning Last Stop on Market Street, Matt de la Peña and Christian Robinson deliver a poignant and timely new picture book that's sure to be an instant classic. When Carmela wakes up on her birthday, her wish has already come true--she's finally old enough to join her big brother as he does the family errands. Together, they travel through their neighborhood, past the crowded bus stop, the fenced-off repair shop, and the panadería, until they arrive at the Laundromat, where Carmela finds a lone dandelion growing in the pavement. But before she can blow its white fluff away, her brother tells her she has to make a wish. If only she can think of just the right wish to make . . . With lyrical, stirring text and stunning, evocative artwork, Matt de la Peña and Christian Robinson have crafted a moving ode to family, to dreamers, and to finding hope in the most unexpected places.
"An unforgettable historical, high-octane adventure." -- Dav Pilkey, author-illustrator of the Dog Man seriesIt's 1863 and dinosaurs roam the streets of New York as the Civil War rages between raptor-mounted armies down South. Magdalys Roca and her friends from the Colored Orphan Asylum are on a field trip when the Draft Riots break out, and a number of their fellow orphans are kidnapped by an evil magistrate, Richard Riker.Magdalys and her friends flee to Brooklyn and settle in the Dactyl Hill neighborhood, where black and brown New Yorkers have set up an independent community -- a safe haven from the threats of Manhattan. Together with the Vigilance Committee, they train to fly on dactylback, discover new friends and amazing dinosaurs, and plot to take down Riker. Can Magdalys and the squad rescue the rest of their friends before it's too late?
Award-winning author and illustrator Duncan Tonatiuh tells the story of Amalia Hern\u00e1ndez, dancer and founder of El Ballet Folkl\u00f3rico de M\u00e9xico. Published in time for the 100th anniversary of Hern\u00e1ndez's birth, Danza! is the first picture book about the famous dancer and choreographer. Danza! is a celebration of Hern\u00e1ndez's life and of the rich history of dance in Mexico. As a child, Amalia always thought she would grow up to be a teacher, until she saw a performance of dancers in her town square. She was fascinated by the way the dancers twirled and swayed, and she knew that someday she would be a dancer, too. She began to study many different types of dance, including ballet and modern, under some of the best teachers in the world. Hern\u00e1ndez traveled throughout Mexico studying and learning regional dances. Soon she founded her own dance company, El Ballet Folkl\u00f3rico de M\u00e9xico, where she integrated her knowledge of ballet and modern dance with folkloric dances. The group began to perform all over the country and soon all over the world, becoming an international sensation that still tours today. Duncan Tonatiuh's picture books have been honored with many awards and accolades, including the Pura Belpr\u00e9 Award, the Robert F. Sibert Award, and the New York Times Best Illustrated Book Award. With Tonatiuh's distinctive Mixtec-inspired artwork and colorful drawings that seem to leap off the page, Danza! will enthrall and inspire young readers with the fascinating story of this important dancer and choreographer.
Girls cannot be drummers. Long ago on an island filled with music, no one questioned that rule--until the drum dream girl. In her city of drumbeats, she dreamed of pounding tall congas and tapping small bongós. She had to keep quiet. She had to practice in secret. But when at last her dream-bright music was heard, everyone sang and danced and decided that both girls and boys should be free to drum and dream. Inspired by the childhood of Millo Castro Zaldarriaga, a Chinese-African-Cuban girl who broke Cuba's traditional taboo against female drummers, Drum Dream Girl tells an inspiring true story for dreamers everywhere. This beautiful picture book was recognized with a Pura Belpré Honor. A strong option for those interested in women's history and Hispanic History topics.
A 2018 Pura Belpré Author Honor Book The First Rule of Punk is a wry and heartfelt exploration of friendship, finding your place, and learning to rock out like no one's watching. There are no shortcuts to surviving your first day at a new school--you can't fix it with duct tape like you would your Chuck Taylors. On Day One, twelve-year-old Malú (María Luisa, if you want to annoy her) inadvertently upsets Posada Middle School's queen bee, violates the school's dress code with her punk rock look, and disappoints her college-professor mom in the process. Her dad, who now lives a thousand miles away, says things will get better as long as she remembers the first rule of punk: be yourself. The real Malú loves rock music, skateboarding, zines, and Soyrizo (hold the cilantro, please). And when she assembles a group of like-minded misfits at school and starts a band, Malú finally begins to feel at home. She'll do anything to preserve this, which includes standing up to an anti-punk school administration to fight for her right to express herself! Black and white illustrations and collage art throughout make The First Rule of Punk a perfect pick for fans of books like Roller Girl and online magazines like Rookie.
From New York Times bestseller and Pulitzer Prize winner Junot Díaz comes a debut picture book about the magic of memory and the infinite power of the imagination. A 2019 Pura Belpré Honor Book for Illustration Every kid in Lola's school was from somewhere else. Hers was a school of faraway places. So when Lola's teacher asks the students to draw a picture of where their families immigrated from, all the kids are excited. Except Lola. She can't remember The Island--she left when she was just a baby. But with the help of her family and friends, and their memories--joyous, fantastical, heartbreaking, and frightening--Lola's imagination takes her on an extraordinary journey back to The Island. As she draws closer to the heart of her family's story, Lola comes to understand the truth of her abuela's words: "Just because you don't remember a place doesn't mean it's not in you." Gloriously illustrated and lyrically written, Islandborn is a celebration of creativity, diversity, and our imagination's boundless ability to connect us--to our families, to our past and to ourselves.
Winner of the Newbery Medal A New York Times Bestseller Thoughtful, strong-willed sixth-grader Merci Suarez navigates difficult changes with friends, family, and everyone in between in a resonant new novel from Meg Medina. Merci Suarez knew that sixth grade would be different, but she had no idea just how different. For starters, Merci has never been like the other kids at her private school in Florida, because she and her older brother, Roli, are scholarship students. They don't have a big house or a fancy boat, and they have to do extra community service to make up for their free tuition. So when bossy Edna Santos sets her sights on the new boy who happens to be Merci's school-assigned Sunshine Buddy, Merci becomes the target of Edna's jealousy. Things aren't going well at home, either: Merci's grandfather and most trusted ally, Lolo, has been acting strangely lately -- forgetting important things, falling from his bike, and getting angry over nothing. No one in her family will tell Merci what's going on, so she's left to her own worries, while also feeling all on her own at school. In a coming-of-age tale full of humor and wisdom, award-winning author Meg Medina gets to the heart of the confusion and constant change that defines middle school -- and the steadfast connection that defines family.
PURA BELPRÉ HONOR BOOK ALA NOTABLE BOOK "An important, must-have addition to the growing body of literature with immigrant themes." --School Library Journal (starred review) Twelve-year-old Jaime makes the treacherous and life-changing journey from his home in Guatemala to live with his older brother in the United States in this "powerful and timely" (Booklist, starred review) middle grade novel. Jaime is sitting on his bed drawing when he hears a scream. Instantly, he knows: Miguel, his cousin and best friend, is dead. Everyone in Jaime's small town in Guatemala knows someone who has been killed by the Alphas, a powerful gang that's known for violence and drug trafficking. Anyone who refuses to work for them is hurt or killed--like Miguel. With Miguel gone, Jaime fears that he is next. There's only one choice: accompanied by his cousin Ángela, Jaime must flee his home to live with his older brother in New Mexico. Inspired by true events, The Only Road is an individual story of a boy who feels that leaving his home and risking everything is his only chance for a better life. The story is "told with heartbreaking honesty," Booklist raved, and "will bring readers face to face with the harsh realities immigrants go through in the hope of finding a better, safer life, and it will likely cause them to reflect on what it means to be human."
"Magnificent." -- Holly Black, New York Times Book ReviewCome to the crossroads, to the crossroads comeSierra Santiago planned an easy summer of making art and hanging with her friends. But then a corpse crashes the first party of the season. Her stroke-ridden grandfather starts apologizing over and over. And when the murals in her neighborhood begin to weep real tears . . . Well, something more sinister than the usual Brooklyn ruckus is going on.Where the powers converge and become oneWith the help of a fellow artist named Robbie, Sierra discovers shadowshaping, a thrilling magic that infuses ancestral spirits into paintings, music, and stories. But someone is killing the shadowshapers one by one -- and the killer believes Sierra is hiding their greatest secret. Now she must unravel her family's past, take down the killer in the present, and save the future of shadowshaping for herself and generations to come.Full of a joyful, defiant spirit and writing as luscious as a Brooklyn summer night, Shadowshaper introduces a fantasy heroine and magic unlike any you've ever seen before, and marks the YA debut of a brilliant new storyteller.
"Honest and exquisitely crafted." -- Kirkus Reviews (starred review) One morning before school, some girl tells Piddy Sanchez that Yaqui Delgado hates her and wants to kick her ass. Piddy doesn't even know who Yaqui is, never mind what she's done to piss her off. But as the harassment escalates, avoiding Yaqui and her gang starts to take over Piddy's life. In an all-too-realistic novel, Meg Medina portrays a sympathetic heroine forced to decide who she really is.
Musician, botanist, baseball player, pilot--the Latinos featured in this collection come from many different countries and from many different backgrounds. Celebrate their accomplishments and their contributions to a collective history and a community that continues to evolve and thrive today!Biographical poems include: Aida de Acosta, Arnold Rojas, Baruj Benacerraf, César Chávez, Fabiola Cabeza de Baca, Félix Varela, George Meléndez, José Martí, Juan de Miralles, Juana Briones, Julia de Burgos, Louis Agassiz Fuertes, Paulina Pedroso, Pura Belpré, Roberto Clemente, Tito Puente, Ynes Mexia, Tomás Rivera
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